Filed under: Uncategorized
Written by: Robbie Ettelson
Towards the end of 1987 I had amassed a decent collection of rap albums dubbed TDK’s, which was all well and good but hardly official since I didn’t actually own any records. My birthday was coming up and ‘my old Earth’ somehow managed to figure out that what I really needed was a 12″ single of the new Public Enemy. She handed me a gift-wrapped copy of ‘You’re Gonna Get Yours’, and I spent the rest of the day trying to find how many guns I could spot on the front cover and listening to the ‘Terminator X Gettaway Version’ over and over. I already had the album on tape, and it took me a while to realise that the song on the B-side was some Newest Latest material.
Eventually I threw it on the family record player, and once that series of opening horn hits unleashed the ear-splitting drone of ‘Rebel Without A Pause’ I stood there in awe… My mother was less enthusiastic: ‘It’s a bit repetitive, isn’t it?’. I ignored her, transfixed by the voice of power and the drums of death. This was like nothing I’d ever heard before. The next week I took the record over to play to the dudes who had first started dubbing me tapes on the other side of town. The record had the same effect on them, and some of the older kids asked if they could borrow it to tape that week. Not even a teenager at the time, having high school kids want to borrow my record seemed like an esteemed badge of honor, and I was more than happy to oblige.
Amazingly, they actually returned the record to me a few weeks later…
18 Comments so far
Leave a comment
Leave a comment
Line and paragraph breaks automatic, e-mail address never displayed, HTML allowed:
<a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <s> <strike> <strong>