The Yeezus Pub Quiz


Written and hosted by Phillip “The Jogging Blogger” Mlynar.

June 18th was a monumental date in hip-hop history — it was the day when all the Yeezus reviews came out. They involved lots of great commentary on the parameters of genius and musings about just how much of a genius Kanye West is. Unfortunately, they were also all really wrong. So the Unkut braintrust decided to review Yeezus in the only scientifically accurate way possible – in the form of a pub quiz.

The Unkut Guide To Reloaded Food References
Tuesday November 27th 2012,
Filed under: Features,Food Rap,Guest Drops,Marcberg Season,Strong Island
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More Food Rap action from Phillip “Millitainment” Mlynar:

Roc Marciano’s Reloaded is here! It’s a brilliant record, a shoe-in for top-spot on any sane end-of-year album poll, and, just like its predecessor Marcberg, it brims with references to food and fine dining. (It has also inexplicably made Roc Marcy somewhat trendy for a brief moment, but we’re sure the normal order of the Internet will be restored the next time Kendrick Lamar sharts on a song or something.) So just like 2010’s worldwide viral phenomenon post, The Unkut Guide To Marcberg Food References, here’s a rummage through Roc Marcy’s Reloaded pantry. Now go ‘head and blacken that tipalia!

Kool Keith Sort Of Explains What Happened To Godfather Don
Saturday October 06th 2012,
Filed under: Bronx Bombers,Guest Drops,In Search Of...,Interviews
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Phillip ‘Dive Bar’ Mlynar caught-up with Kool Keith for the Village Voice back in June and asked after the whereabouts the ever-elusive Godfather Don:

Earlier this summer, Kool Keith was standing up at a dive bar in Midtown Manhattan nursing a glass of chardonnay in his hand. I was there to interview Keith, which turned out to be a process that largely involved listening to a bunch of lengthy speeches phrased in the rapper’s own kooky way. At one point Keith mentioned Godfather Don, and I managed to ask him what happened to the cult producer and rapper. Keith obliged with an answer that involved “night-time gangster jazz,” Chinese food, and a kennel of rappers.

The Unkut Guide To Marcberg Food References
Monday December 27th 2010,
Filed under: Features,Guest Drops,Marcberg Season,Strong Island
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Here’s a brand new Phillip “Half-A-Mill” Mlynar sure-shot:

There was only one rap album that mattered in 2010 – and it wasn’t by anyone who felt the need to show their dark twisted appendage to the world. That project, Roc Marciano‘s Marcberg, was critically untouchable, the most unadulterated example of the potency of New York rap in a good half decade, and even ended with a good old fashioned shout-out track. More importantly, it contained the most comprehensive batch of food references since an Ironman-era Ghostface was found being seduced by a temptress’s baked macaroni and turkey wings and lauding the virtues of a fish and salad-based diet. Whether used figuratively, literally or descriptively, there’s not a track on the album where Roc Marcy doesn’t get gastronomical. So in the grand tradition of the Dean & Deluca Cookbook’s Master List of Dried Legumes, here’s the complete guide to the food references liberally sprinkled throughout Marcberg’s grand grooves. Enjoy shrimp!

Dres Attempts To Remember The Scenario Session
Monday July 05th 2010,
Filed under: Great Moments In Rap,In The Trenches,Steady Bootleggin',Tape Vaults
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A Dres-free picture from the session…

Here’s another piece to the ‘Scenario’ demo, taken from an interview that Phillip ‘Millie Pulled A Pistol On Santa’ Mlynar did last week:

Here’s the the non-speaking half-Puerto Rican brother from New York on a session that apparently they were all too high and drunk to remember properly:

Dres:Mista Lawnge is definitely on a version of “Scenario.” There was a version that didn’t come out that Lawgne was on. I was at a couple of sessions for it, I remember that, but there wound up being so many people on this song, literally. I didn’t even understand what he [Q-Tip] was doing, there were so many people, and it was already such a dope record before it came out. I knew it was going to be a hit.

Five Reasons Why Rap Can’t Mourn The Dearly Departed
Monday May 10th 2010,
Filed under: Features,Guest Drops,Internets,Rest In Peace
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Phillip ‘Prime Minister’ Mlynar explains why Rest In Peace is not the word to play.

Mourn you ’til I join you? Not in the spit-on-the-grave world of rap. Guru‘s passing has shown once more than when it comes to death, hip-hop has no idea how to handle itself with dignity and grace. Being a legendary rapper and part of one of hip-hop’s most beloved groups didn’t stop the ex-Gang Starr man from being pronounced dead on Twitter when he wasn’t, having a soap-opera-style drama unfold in the wake of his death, and seeing his life ‘celebrated’ by a stream of rubbish, pixelated YouTube videos. But that’s pretty much par for the course when it comes to hip-hop deaths. Why? Here’s five starters…

Supply And Demand – Scholarwise Interview

Photo: Alexander Richter

Here’s another sure-shot from Phillip ‘Half-A-Mil’ Mlynar, who has managed to track down someone so obscure that even Lace Da Booms was like, ‘Oh, snap!’.

Over a decade on from its 1998 release, Scaramanga‘s Seven Eyes, Seven Horns album now sounds like one of the purest statements from the mid-to-late-’90s indie rap scene. Poster boys Mos Def and Talib Kweli quickly came to drop the anti-commercial stance they wore as a badge in favor of attempting to become fixtures in the mainstream firmament themselves. El-P headed left-field with his Def Jux endeavor. A litany of random – and randomly-named – emcees chilled into obscurity after dropping one-off dope 12-inches. But listening to Scara spitting street scriptures over a batch of raw beats sounds like everything the movement was meant to be: Uncompromising and uncut hip-hop that didn’t once think to even cock a glance at the pop charts, let alone dream of becoming a household name.

A large part of the album’s success is down to the lesser-heralded Scholarwise, who provided the majority of beats on the project (at least on the preferable 12-track-long vinyl version), as well as the occasional chorus rap and guest verse. Intermingled with assists from Godfather Don, Goldfinghaz and D.I.T.C‘s Showbiz, Scholar’s production doesn’t just stand up to par – it defines the vibe of the album. His preference for sparse, gritty beats buoyed the Scaramanga persona, with the emcee in fine fettle reminiscing about pearl Fila suits and dropping references to Queens crack kingpins Fat Cat and Montana (all while avoiding any of the science-text-book references that blight Sir Menelik songs).

Currently at work on a new E.P. project that should see release before the summer’s out, here’s Scholar’s rap reminisce…

Phillip: When did you start making hip-hop music?

Scholarwise: Well my first crew was The Underground Brigade, back in the late-’80s. That was the crew of dudes I grew up around the way with. I was born in Brooklyn, I came up on Long Island, and pretty much lived in Hempstead, which is where Public Enemy are from. Hempstead is where 510 South Franklin [Studios] is, so being young and hungry at the time and reading the back of album and liner notes, we found out that Public Enemy’s business address was 510 South Franklin Avenue.

One day we just rolled up there and that’s how I met my mentor, Paul Shabazz. He was doing R&B at the time – and still does – and it’s crazy ‘cos the way 510 South Franklin is situated, the Bomb Squad was upstairs and Paul rented a studio from Eric ‘Vietnam’ Sadler. Paul had a band and that’s where they rehearsed. When we rolled up there Public Enemy was in full swing and 510 was a hub of activity. We posted outside, and there happened to be a Public Enemy tour bus outside. It was like dumb luck!

Diary of a Mad Print Writer – 10 Depressingly Annoying Things About Modern Rap
Friday April 09th 2010,
Filed under: Features,Guest Drops,Internets
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Phillip Mlynar isn’t Australian, doesn’t roam a post-apocalyptic wasteland searching for fuel and may not even own a dog. But ask him the timeless question, ‘U mad, doggie?’ and he’ll reply, ‘Yes, I am.’ Fresh from his stint of yelling ‘Eff you and Your Heroes‘ like this was a listening session for the first Lench Mob tape, Phillip is back to vent his frustrations about the current state of the rap game.

Five Zealously Overrated (And Often Dead) Hip-Hop Artists
Thursday March 25th 2010,
Filed under: Features,Guest Drops
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Here’s a guest drop from Phillip Mlynar, who was the Deputy Editor at Hip Hop Connection magazine before people stopped buying rap magazines.

Talking about rappers whose fanatical fan worship bore no relation to their actual talent or recorded output used to be easy. Someone would say that 2 Pac was the greatest ever rapper. Someone who’d listened to more than three rap records in their life would counter by pointing out the patchy nature of his music, and how he was prolific in the sense of hopelessly lacking any sense of quality control. They’d be hit back by someone talking about how Afeni’s son was the hip-hop generation’s James Dean and how his whole thug life aura and rapist-without-a-pause mentality was bigger than music and all of that. Then someone would mention “Brenda’s Got A Baby” and everyone would shake hands and move happily on.

These days though there’s a slew of rappers and rap chaps whose publicity, fan worship, and reputation makes ‘Pac looks positively underrated. Here are the five leading exponents…