Filed under: Art of Facts,BK All Day,Great Moments In Rap,The 90's Files
Written by: Robbie Ettelson
Some of that good old Punch Your Moms In The Face Rap, with the obligatory Fizzy Womack feature. Produced by Aaron “Freedom” Lyles.
Sahdeeq and Khadafi unleash that gutter speech over a sublime Lewis Parker track and some cuts from DJ Ready Cee. Taken from the Keepers of the Lost Art LP, available now through Below System.
Something new from Shabaam Sahdeeq and DJ Skizz, from Shabaam’s Keepers of the Lost Art LP.
New Sean P and Illa Ghee, from the MM. Rick Sorry I’m Late mixtape, hosted by Redman and available here.
Miss Info (aka Queen of the Rap Internets) reported on this basketball game between members of The Diplomats and some of the roster of Fool’s Gold Records. This isn’t exactly surprising considering that Cam’Ron and A-Trak are recording a project together (not to mention that A-Trak’s song with JR Writer, Hell Rell, & 40 Cal in 2007 wasn’t too shabby at all), but the idea of the former Kufi Slapper Jim Jones sharing the court with the likes of Nick Catchdubs is the rap equivalent of finding out that there’s no Easter Bunny or that Kanye didn’t write “Jesus Walks.”
After coming up with Howie Tee as DJ and then producer, Spencer Bellamy started East Flatbush Project and released a series of quality records on his own 10/30 Uproar label at the beginning of the mid 90’s independent hip-hop vinyl movement. Best known for being the man responsible for the legendary “Tried By 12″ instrumental, Spencer talks about the ups and downs of his experiences in the rap game.
Robbie: Can you tell me about how you started off with Howie Tee?
Spencer Bellamy: He used to have a crew called Count Disco. We were a local crew – myself, his brother and Howie would DJ – and then he had the MC’s, the Sureshot 4 MC’s, so they would do their routines. I hooked-up with him when I was around eleven years old. We played together for a few years and then we just became cool. After he cut-out of deejaying and went more into the production side of it, I would just watch what he would do. I was kinda like an apprentice, so to speak. From there, I tried my hand at production.
A little somethin’ somethin’ from Domingo‘s extensive vaults – Sean P‘s take on the Bob Marley/Eric Clapton/EPMD standard “I Shot The Sheriff”. The first verse was eventually used for “Mark My Words” but the rest of it sounds unfamiliar.
Born and raised in Bedford-Stuyvesant/Crown Heights, Sir Ibu cemented a place in rap folklore with a record called “Holy War (Live)”, which still stands as one of the rawest examples of beats and rhymes ever recorded, so much so that Ghostface recreated a portion of it on his own modern-day remake named “Mighty Healthy”. Beyond being an influential microphone god, it turns out that Ibu may also have been the first ever Conservative Rap Coalition member, as well as having an obscure connection to Australian culture. Salutes to BK Thoroughbred for connecting me with Brooklyn rap royalty and helping this interview happen…
Robbie: What sparked your interest in rhyming initially?
Sir Ibu: It was my cousin – I think it was back in ‘79. I heard him rapping, and I was like, “Wow! What is that?” So he told me what it was and then let me hear this record. I think it was by Spoonie Gee? I kinda liked that, so ever since then I just started writing. I just used to write about girls – all my raps were about girls. Girls this, girls that, just bragging about how I am with the girls. So then when I ran into Supreme – I would say was about ‘83, ‘84 – he told me, “Listen, you’re good. But you could be better if you changed your subject matter. Instead of talking about how good you are with girls, talk about how good you are on the microphone. How good you are with your lyrics and your music and your rhymes and your vocabulary. Just anything but girls!” I’m like, “Alright.” So I did it and I came back to him and I said, “How ‘bout this?” And he said, “That’s perfect! Do you wanna be part of my group?” I’m like, “Alright, let’s do it.” And that’s how I got with him and his sister. It’s interesting, ‘cos his sister – her name was Ice-T originally when we started – but Ice-T from the west coast started making a name for himself, so it was like, “Listen, you’ve gotta change your name.” So she changed it to Nefertiti.
Kriminal and DJ Spinna are back at it with their first new music in five years. I’ve been a fan of the J.I.G.’s since day dot, so this is one rap reunion that means something to me.
Remember how you used to hang out with your pals, wondering outloud when somebody would make a rap record where the MC would promise, “I’m going to come Australian, then I’m going to come Reggae, and then I’m going to come Hip Hop”? Turns out that Sir Ibu did that in 1987 on the b-side to Divine Force‘s “Holy War (Live)”. Admittedly, it sounds more like Dick Van Dyke‘s portrayal of a cockney chimney sweep in Mary Poppins, but as he says, it’s definitely “very unusual”. Come to think of it, his “reggae” style isn’t that hot either.
This has been floating around for a few years but I only just caught it now. Sir IBU is currently on my Top 5 most-wanted interviews list.
dirty waters sez:
“This is pretty rare material here, a freestyle session featuring Big Daddy Kane, Sir Ibu (of the Divine Force), and the Kings of Swing (a group featuring Suga K, Mike Master and DJ Cocoa Chanelle). They all go verse for verse while DJ Kevvy Kev is cutting up the instrumental for Ultramagnetic MC’s ‘Give the Drummer Some’ and Marley Marl calls the shots. Not sure what radio show this was originally from, I pulled this off a Stretch Armstrong Show. Bobbito thanks Madame Superior, a long time WKCR listener, for sending the freestyle to play over the air.”
Here’s the first episode of Jean Grae‘s new sit-com, which combines a Curb type of vibe with a lotta booze, and is therefore CRC-approved.
Taken from the 8 Off / ALC Past & Present EP dropping 1 Jan.
Following the Kool G Rap & DJ Polo set at Treasures in Philly, Special Ed took to the stage and performed “Think About It”, “Crooklyn”, “Come On Let’s Move It” and “I Got It Made”. Basically half of the crowd had gone outside for a smoke by the time he hit the stage, but Ed’s female fans were in full effect regardless.
The Groggy Pack and Bambi Rose are gafflin’ for left-overs on this cut from Marco Polo‘s PA 2: The Director’s Cut, which has a series of collectible vinyl editions available through Slice of Spice soon.
Melbourne meets Brownsville for this track from the forthcoming Land of the Crooks EP from Sean Price and M-Phazes.
Having become a one of the most requested demos ever played on the Stretch and Bobbito show, Terror Green‘s “45 Stitches” now has an animated video and a vinyl pressing, along with three other tracks. Sounding a lot like Jemini The Gifted Child, this is some of that good old BK ’95 indy action to catch a flashback to. Cop the vinyl here, courtesy of the good people over at Heavy Jewelz.
’45 Stitches’ video:
As I predicted last week, Pap took the opportunity to make a song about Trinidad James, proving that he is officially BK’s answer to The Game in that he loves to make records about people that are never going to bother to respond to him. Guess there really is something to that “minor league” shade after all.
J-Love recruits some Brooklyn brawlers for this cut from one of the five albums he’s planning to drop 19 November.
The best track from The Knight’s Gambit gets moving pictures, as will every track if the last LP was anything to go by.
In an attempt to prove that not all cigarettes are created equal, I challenged Canadian-born BK rap producer Marco Polo to rate five other brands of tailor-made smokes, purchased from gals out the front of various bars in Brooklyn, all in the name of science. PA2: The Director’s Cut drops 12 November, 2013.
It’s been a good week for Australian producer M-Phazes, who not only got a co-production credit on the new Eminem LP but also snagged BK brawlers Sean Price, Billy Danze and Maffew Ragazino on the same track, while DJ Babu seals the deal with a def-defying display of zigga-zigga wizardry.
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Another Brewin’ winner, produced by Smoke Signals.
Here’s the clip for the Fame joint from earlier in the week, courtesy of J-Ronin.