The original 5ive-0 Posse, not to be confused with the weak 5ive-0 crew from 1994, dropped an entertaining LP in 1989 on Sue Records which dealt with the concerns of a rapper and a DJ who just happened to work for the New York City Police Department. Making it clear that they weren’t soft just because they were the fuzz (cutting in the Jungle Brothers ‘Shot and killed by an off duty jake’ line as a warning to anyone who stepped to them), while boasting of being able to ‘carry all the guns that I want and be legal.’ In case you were concerned that the duo were walking around like a couple of cowboys, we’re reminded that they never ever got a civilian complaint. Prince Rashaad and DJ Brother Lee-Luv broke down their statement of intent on the back cover:
“During the day to protect and serve, during the night to create and project an image that Police Officers are human and can be down to earth like anybody else.”
If you were a rap fan outside of the USA in 1987, it was in your best interest to collect the Street SoundsElectro/Hip-Hop albums, which were compilations of an often eclectic mix of current singles, mixed together by a selection of UK DJ’s. The one that really stood out for me was Hip Hop 18, which was mixed by a fellow named R.J. Scratch [Roger Johnson] and was a particularly mixed bag of great, obscure and just plain weird rap tracks from New York. I was eventually able to find copies of ‘You Know How To Reach Us’ and ‘We Have Risin”, but the two Marley Marl produced tunes on this volume remained out of reach. As it turns out, what would have been Frick ‘N Frack’s second single was never actually released, only existing on a couple of acetates. This was annoying since it means there was no way to hear the complete, unmixed versions of these tracks – until now. Turns out that Frick ‘N Frack have uploaded some of their old songs to iTunes for those of us who have waited for 28 years to hear the last minute of ‘Who’s On Mine.’ From the preview it sounds like they’ve been dubbed off cassette from when they were played on WBLS, but for 99 cents each I guess it’s worth taking a gamble.
UPDATE: The iTunes version is just a recording of the version on the Street Sounds compilation that cuts off when the Kings Of Pressure comes in. Guess we’ll be waiting another 28 years until Marley presses it up on Hot Chillin’… (more…)
Adding gunshots, sirens and rewinds to remove swears from rap records is all well and good, but you’ve got to respect the effort made by certain rappers who went to the trouble of re-writing and re-recording their lyrics in order to cater to radio guidelines. Some of my personal favorites include Tim Dog‘s ‘Forget Compton,’ (not re-recorded but hilariously re-edited) Willie Dee‘s ‘Bald Head Gals’ and King Tee‘s ‘Played Like A Piano’ (which sports a remixed beat and numerous mentions of the fact that it’s a clean radio version), while who can forget Showbiz switching up “Hoes give me head on the escalator” for “Girls smile at me on an escalator”? Hold ya head everyone who was gifted the first Wu-Tang tape clean version with three songs removed.
Crate Cartel member and CRC sympathizer Phil Gektor (aka GX) released this enjoyable remix of AZ’s A.W.O.L. LP last month. There’s no such thing as too much AZ, plus this version of ‘City of Gods’ is particularly enjoyable.
The following are a collection of remixes that where perhaps only an extra horn, new drums or a rearrangement of the samples differentiates them from the original version, but they’re still significantly better. You could add most of the 80’s Cold Chillin’ 12: mixes to this list, natch.