Every now and then, one of these rap websites puts together a list along the lines of “The 30 Greatest Hip-Hop Albums of 1993″ and such, which in theory isn’t something I should have an issue with. The reason I mention it is that a decent proportion of these albums – most of which are widely regarded as “classic” and important records – don’t exactly inspire me to dig them out of the shelves and throw them onto the turntable (or, if I’m feeling lazy, navigate to the folder on my hard drive). Is this simply due to the fact that I played that shit to death back when it was released? Or is it more of a case that some music outlives its usefulness?
Take De La Soul’s much discussed 3 Feet High And Rising, for example. While there’s no doubting the impact and originality that Prince Paul and Plugs 1, 2 and 3 brought to the table, I can confidently state that I have no intention to ever listen to that record in it’s entirety in the foreseeable future. That’s likely more of a reflection of my preference for anti-social rap with loud drums than anything else, but it’s an issue worth considering. Let’s take a look at the 1989′s greatest hip-hop albums according to ego trip‘s Book of Rap Lists for example: (more…)
Just noticed this comment from Lair dating back to February, where he points out, “I think Keith recorded a diss track just for you off of this article”, linking to a song that dropped a mere 12 days after I expressed my bitter disappointment at Ultramagnetic MC’sCritical Beatdown tour.
While the cover image bares a striking resemblance to the venue I attended, the rhymes don’t really confirm that it has anything to do with my review, unless you consider “You heard the track accurate, that’s what I’m about” to be a rationale for his lip-syncing during the show in question, and “Laugh online…LOL…they stuck!” to be a subliminal aimed at Unkut HQ.
Hold up! On closer inspection, “Caught up in the zone like people with long cords on they phone/they can’t think out the box, so they won’t stay in the box” pretty much sums up everything that the Conservative Rap Coalition is about. Did Poppa Large (pause) just ether me?
After speaking to Uptown (of ‘Dope On Plastic’ fame) the other week, he mentioned an interesting story about his involvement in the 1989 New Music Seminar Battle For World Supremacy:
Uptown: I battled for World Supremacy – that was the year that Freshco and Miz won. I made it to the semi-finals – it was me, Serge from Ohio and Freshco. When we get into the final round, one of the associates of Tommy Boy comes up to me and says, ‘Freschco’s ‘4 At A Time’ is doing great right now, it would be real good if he won this contest’. I’m like, ‘What? What are you asking me to do?’ While I’m talking to them, my time was running out. So I had to run on stage – if anyone has video tape of that final, you’ll see I run on stage and tried to come-up with something real quick – and then Freshco kinda capitalised on it, ‘Why was you takin’ so long, are you scared of me/I don’t think you was prepared for me!’. He said some real slick shit and he won that title. I was like, ‘How in the world…?’ That was the same year where Miz won, but DJ Alladin also got kinda jibbed. Me and Alladin talked about it at one time, ‘We should get together and make a song’, but it never panned-out.
Did the Tommy Boy staff somehow rig the results?
Check this video of the finals and you be the judge: (more…)
Mistakes were made in the last ‘Search For The Best Beat’ feature…namely, Alchemist has too may cot damn tracks! This time I’ve selected a producer who is a little more restrained in terms of his musical output, but still a beast on the beat – the Bronx Bomber himself, Show. While his early work featured a signature sound that was easily identifiable, Show’s style developed into a tighter, more refined minimalism by the time Goodfellas was released. While the majority of his work has been with his Diggin’ In The Crates crew and Wildlife, he’s contributed tracks for a select few over the years. The first round is dedicated to production outside of his immediate D.I.T.C. circle. Hopefully we can get this one sorted out in three round this time. (more…)
Although Jadakiss and Flavor Flav took top honors in the first and second rounds with 17% and 26% of the vote respectively, just to keep shit interesting I thought I’d give the runners-up from each a second chance, and throw in the Thug Life president for shits ‘n gigs. Now’s your chance to go for gold, Jeezy fans!
In an attempt to stand-out from the crowd in the ever-expanding rap world, many rappers have adapted catchy phrases and ad-libs. Some are memorable, some are annoyingly addictive and others…not so much. Here’s some of the first ones that we thought of…thanks to Legend for the assist. (more…)
I just received this letter from the CEO of Tuff City, in response to some comments Funkmaster Wizard Wiz made about him in this interview:
February 1, 2010
I’m sorry that it has taken so long, but I don’t troll the net obsessively and there were some remarks by Funkmaster Wizard Wiz in your interview from February 25, 2009 that I feel I must correct.
In the early 80s before rap was a business and any of us were businessmen, Tuff City’s calculus for signing a rapper was, “Does their level of artistry make them worth the trouble?” and no artist was more trouble despite being worth it than Funkmaster Wizard Wiz. (more…)
If you fux wit Blog Rap, then there’s a good chance you’re typing out shit like “Jay Elec. ‘Exhibit C’ >>>>>> ” in every comment section and Twitter feed you can access. Admittedly, he seems to be the best of the current crop of Leaders Of The N00b School rappers, but the fact that he may have the worst handle in rap and seems to be display some emo tendencies is preventing me from wholeheartedly co-signing his movement at this stage. (more…)
Seems like a few of you are pretty butt-hurt about the first round. Ha ha ha….jokes on you jack! We made another round! Since there was also a lot of confusion over the initial criteria, I’ve decided to extend the definition from producer’s who later rapped to anyone who is as respected for his beats as his rapping, so that all the DOOM stans don’t jump out the window. (more…)
Tough question. Made even more difficult by the fact that many rapper’s have made beats for themselves, but aren’t necessarily classed as ‘producers’. KRS-One was credited as having produced most the early BDP records, but he also had DJ Doc and D-Nice helping out with the programming – so does he qualify here? Not really, because otherwise this could take for forever. To keep shit simple, I’m only including dudes who were known for their beats before they rapped or are more widely recognized for their MC status, which excludes people like Schoolly-D, Biz Markie and Lord Finesse. (more…)
Over the course of his extensive career being the boards, DJ Premier has served-up some knockin’ tracks to a handful of chick rappers. Here are a selection of the best and worst of these (Heather Hunter gets a pass, obviously).