Angie Stone aka Angie B [The Sequence] – The Unkut Interview
Wednesday October 22nd 2014,
Filed under: Def Dames,Interviews,Not Your Average,The 80's Files,Web Work
Written by:

the-sequence_thelavalizard

It’s taken me ten years to interview a female rapper on these pages, which either means this marks the onset of ‘progressive’ thinking in my old age or I’m a natural born rap misogynist. Either way, during the limited window of time I had to talk with Angie we kicked it about her days in The Sequence and she shared an eye-opening story about her involvement with The Roxy.

Angie Stone – The Unkut Interview

Video of The Sequence performing ‘Simon Says’ on the Job Man Caravan show:
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The Triumphs and Tragedies of Larry Smith

Larry Smith

Please head over to Medium where you can read my first piece for Cue Point, a collection of long-form music features curated by Jonathon Shecter aka Shecky Green.

The Triumphs and Tragedies of Larry Smith

‘Best of Larry Smith’ playlist:
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Great Moments In Rap: LL Cool J Sons Run At The Roxy
Wednesday October 15th 2014,
Filed under: Features,Great Moments In Rap,Hollis Crew,Rap Veterans,The 80's Files
Written by:

A great moment in rap – the time that LL Cool J went at Run at The Roxy:

Dr. Butcher: That was not Jam-Master Jay, that was [Jay] Philpot [the second Cut Creator] his DJ on the turntables when he was rhyming. Run-DMC was performing after him, so when he’s freestyling he’s talking about Run in that rhyme. They were walking in and that’s why he wouldn’t let go the mic – he had something to say to Run because they weren’t getting along. Then they took the mic from him and pushed him off stage so Run-DMC could perform.



Stream: Conservative Rap Coalition Radio – Monday 13 October, 2014

JVC-RC-M90_boombox_LL-Cool_J_Radio_Album_cover

The third episode of CRC Radio focused on 80’s and 90’s album cuts that deserved some shine.

Stream: Conservative Rap Coalition Radio – Monday 13 October, 2014



Master Ace – Howard Park [1987 Demo]
Thursday October 02nd 2014,
Filed under: Demo Week,Marley Marl Special,Tape Vaults,The 80's Files
Written by:

masta-ace-inc-graffiti-brooklyn

After that ‘My Melody’ remix sent me down the radio rip rabbit hole, I also stumbled onto this 1987 demo from Masta Ace from the same episode. Great work as always, Will C.



Eric B & Rakim – My Melody [Unreleased Marley Marl Remix]

RAKIM

Once again proving my theory that 1986 was the best year for rap, the good folks at ego trip just uncovered this rap relic over at Mark McDonald’s Soundcloud page.

Will C. also posted this mix back in 2011, although I can’t tell if the ‘Art of Love’ sample that comes in at the 0:54 second mark is blended in or part of the track.



Non-Rapper Dudes Series – Akili Walker Interview
Thursday October 02nd 2014,
Filed under: Features,Interviews,Non-Rapper Dudes,Not Your Average,The 80's Files
Written by:

2968835_orig

The always under-appreciated role of the engineer, both in the studio and on tour, is always a fascinating one. Akili Walker, who has worked with everyone from hip-hop production legend Larry Smith to James Brown, Eddie Kendricks, Kurtis Blow, Prince, George Clinton and LL Cool J, took some time out after the release of his new book, Turn The Horns On, to recall some of his best memories behind the boards.

Robbie: Where about did you grow up?

Akili Walker: I grew up in Freeport, Long Island, right next to Chuck D and Flavor Flav. We were like a mile from each other, they grew up in Roosevelt, but they’re a little younger than I was.

Are you a recording engineer by trade?

I’m an audio engineer, I switch between the studio and on the road. I was a musician at an early age – I was a drummer when I was thirteen. I won the ‘Battle of the Bands’ with my band and we was in the Musicians Union of New York at the age of thirteen. My father was an audiophile, he loved music and he had a large jazz collection and an expensive stereo. My drumming career ended when I was sixteen. I stopped drumming to join the hippy generation and do drugs.
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Stream: Cut Chemist – Mix By Jimmy
Monday September 29th 2014,
Filed under: Crates,DJ Mixes,Steady Bootleggin',The 80's Files
Written by:

Africa_bambatta.USETHIS.sm_

This shit is incredible.

Cut Chemist sez:

“Take a peak into the exclusive material from hip hop pioneer DJ Afrika Bambaataa. ‘Mix By Jimmy’ features recordings Bambaataa had pressed to acetate for spinning live at shows in the late 70’s and early 80’s. This mix includes entirely unreleased material along with demo versions of hits like ‘Looking For The Perfect Beat,’ ‘Renegades of Funk’ and ‘Planet Rock.’ Listen and take a trip through the deepest part of the most important music collection of our time.”

Thanks to egotripland for the tip.



Cassette Culture with Stretch Armstrong: DJ Red Alert, 98.7 Kiss FM, 6.13.87
Wednesday September 17th 2014,
Filed under: Internets,Radio...Suckas Never Play Me,Tape Vaults,The 80's Files
Written by:

dj-red-alert-wrks-kiss-fm-22-april-1989-tape-1

DJ Stretch Armstrong breaks down his favorite old rap radio tapes in this new column he’s writing at Cuepoint, a new collection of long-form music articles curated by Jon “Shecyk Green” Shecter of The Source/Game Records fame. Since many of my fondest memories of first hearing rap revolving around Red Alert and Chuck Chillout tapes, hearing tape rips like this are always guaranteed to slightly defrost my cold, frosty heart.

Cassette Culture with Stretch Armstrong: DJ Red Alert, 98.7 Kiss FM, 6.13.87



Bobby Simmons [Stetsasonic] – The Unkut Interview, Part Two
Wednesday September 10th 2014,
Filed under: BK All Day,Features,Interviews,Not Your Average,The 80's Files,The 90's Files
Written by:

stetsasonic

Continuing my discussion with Stetsasonic drummer Bobby Simmons, we discuss touring, Flavor Flav ethering Prince, the rivalry with EPMD, beef with WreckX N Effect and vaulted tracks.

Robbie: Touring must have been essential back then.

Bobby Simmons: The best tour I’ve ever done was that Run-DMC Run’s House tour. Every night I would sit on the side of the stage and I couldn’t wait to watch Run and them’s show. Run and them were just amazing to watch. When you watch Krush Groove and you saw Jam-Master Jay cut that “Run! Run!” You were like, “Oh shoot! They getting ready to do something!” It was really that kind of intensity in the air, waiting for Run to come on, and DMC just standing there with his arm’s folded. You just couldn’t wait to see Run walk out! Then when he came out, Run really controlled you with what he said. You didn’t see that in the movie. You didn’t get to see people take their Adidas sneakers off and put it in the air. When I saw that, I said, “This is it. It’s finished.” Who in the world can get everyone in Madison Square Garden to take off their sneakers and put them in the air? All you saw was different colored Adidas in the air. It was amazing to see that command. It was beautiful.
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Ten EPMD Deep Cuts
Tuesday September 09th 2014,
Filed under: Features,Not Your Average,Strong Island,The 80's Files,The 90's Files
Written by:

EPMD

Erick and Parrish made some dollars, then “someone” robbed P’s crib and E Double “fell” out of a window. We’re all familiar with their many hit singles, but here are a selection of worthy album tracks from the seven group albums, plus a couple from when they went for “delf.”
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Bobby Simmons [Stetsasonic] – The Unkut Interview, Part One
Thursday September 04th 2014,
Filed under: BK All Day,Features,Interviews,Non-Rapper Dudes,Not Your Average,The 80's Files
Written by:

bobbysimmons

Bobby Simmons is best known as a member of Stetsasonic, the original “Hip-Hop Band,” but during an extensive conversation with him last week he also shared some classic memories about Melle Mel trolling new rappers in the late 80’s, a two-year stint as a DJ at the Latin Quarters and the escapades of Eric B. and Rakim‘s main muscle, the original 50 Cent. This is part one of a three part interview, so get comfortable…

Robbie: Did you study drumming at school?

Bobby Simmons: I self-taught myself drums, I was six years-old. My brother was in the music business too, he was a session guitarist for groups like Sister Sledge and Dan Hartman in the mid-70’s, so I kinda self-taught myself listening to a lotta the records that he would play and trying to figure out the drum – what does what. The first record that I actually learned how to play – that took me from when I was six to when I was seven – was the Ohio Players. The drummer, Diamond, I was so fascinated how he played drums on ‘Skin Tight’ and ‘Fire,’ I wanted to learn to play how he played. The drum sounds were heavy, the snare was fat, the kick was fat, and Diamond used to do all this fast foot [work] on the pedal.

From there I played in my brothers local band and just kept myself active doing that. Deejaying also helped me how to play drums too, cos in the early 80’s it helped me how to blend timings and beats, with the disco records and the Chuck Brown records and the James Brown records helped me keep great timing. Knowing how to keep timing and knowing what the kick and snare and the hi-hat do, I self-taught myself. I kinda wish I was taught and went to schooling to read for it, but my father took me to drumming school and I never went back. It was taking too long! “I wanna get to this part!” [laughs]
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Great One-Shot Wonders
Tuesday September 02nd 2014,
Filed under: Crates,Features,Listicles,Not Your Average,Speaker Smashers,The 80's Files
Written by:

oneshot

These aren’t one hit wonders, since none of these records were technically “hits” in the traditional sense. This is more of a collection of rappers who only got one chance to shine before they got a steady city job with a pension or dangled in record company hell for all eternity.
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Download: A Salute To Duke Bootee

duke bootee

Perhaps best known for providing Melle Mel with the beat to “The Message” while working as a Sugarhill Records session player, Duke Bootee went on to unleash a series of DMX/Linn Drum driven speaker smashers for Profile and his own Beauty and the Beat imprint, as well as his own solo album. When combined with a great scratch DJ and some effective Shout Rap (Word of Mouth‘s “King Kut”) or the hardcore b-boy stance of one-time Rammellzee rhyme partner and a razor sharp Latin Rascals edit (K-Rob‘s “I’m A Homeboy”), the trademark Duke sound was unstoppable. Here’s a collection of his production and vocal work, including that time that Bootee was recruited to record a guest rap in Ewok…

Download: A Salute To Duke Bootee

Track listing:
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No Country For Old (Rap) Men – Why Criminal Minded and Critical Beatdown Are Both The Greatest Rap Album Ever Made

ultramagneticmcs88

The penny finally dropped as to why I couldn’t pick between my two favorite rap albums…

No Country For Old (Rap) Men – Why Criminal Minded and Critical Beatdown Are Both The Greatest Rap Album Ever Made



Spoonie Gee – The Unkut Interview
Wednesday August 06th 2014,
Filed under: Features,Harlem Nights,Interviews,Rap Veterans,The 80's Files
Written by:

spoonie gee 1

Thanks to Will and Aaron from Tuff City records, I had the chance to speak to pioneering Harlem rapper Spoonie Gee last week, who set the standard for street tales and slick talk on his earlier work for Enjoy and Sugarhill before he enjoyed a late 80’s comeback with Marley Marl and Teddy Riley providing the cutting edge beats. After enduring some rocky times for most of the 90’s, he’s currently in the process of recording one last project before he retires from music for good.

Robbie: Being from Harlem, in the early days before records, did you have to travel to see shows?

Spoonie Gee: I went to The Bronx, that’s the first place I saw Grandmaster Flash and The Furious Five. First time I seen him, I think it was P.A.L on Webster Avenue. I used to go see the Funky 4 + 1, Fantastic Five.

How had you heard about them?

I heard a tape of Grandmaster Flash and the Furious Four MC’s at the time, this was before Raheim joined them.
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Stream: Four Hours of Conservative Rap Coalition Radio

LL+Cool+J+LL+with+his+radio

The good folks at PBS-FM in Melbourne gave me a Saturday night graveyard shift to spread the CRC gospel. You can hear the results below:

Stream: Four Hours of Conservative Rap Coalition Radio



DJ King Shameek – The Unkut Interview
Tuesday June 24th 2014,
Filed under: Interviews,Jersey? Sure!,The 80's Files,The 90's Files,Video Clips
Written by:

shameek

Having returned to the music game five years ago after an extended hiatus, DJ King Shameek is back rocking clubs on a regular basis in New Jersey and beyond, but you most likely first saw him do his thing with Twin Hype for their dance floor classic “Do It To The Crowd.” Shameek took some time out of his schedule to talk about his roots as a DJ and early production techniques, King Sun vs. Ice Cube and his involvement with the mysterious diss record “The Truth” in 1999, which may have inspired 50 Cent‘s “How To Rob.”

Robbie: What made you want to take deejaying seriously?

DJ King Shameek: I was living in California at the time – I’m originally from New Jersey – but my uncle was at a legendary club in Newark, NJ called The Zanibar, so every time he used to come to California he would always bring a couple of records and give me some stuff, and I would see photographs of him deejaying. That’s when I really started trying to persue it a little more, get turntables and stuff like that. This is when they didn’t even have a mixer with a cross-fader yet. I was getting these microphone mixers that just had the faders up and down, so I would just sit there with a left and a right, putting one up and then putting the other one down! It was hilarious if you think about it now. I was always collecting records and I inherited records from my parents – they brought me up on a lotta Motown stuff and some Spanish stuff here and there. I was preparing myself in my adolescent years, toying around with my father’s record player, trying to scratch on them! [laughs] I would try to do that when he wasn’t watching. I ended up leaving California in ’87. Before that I was just doing a few gigs by being featured here and there, it wasn’t until I came here that I started producing and deejaying professionally.
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Mikey D and Devastating Tito – Got’m Say’n Hey [Produced by Large Professor]

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Mikey D and Devastating Tito [Fearless Four] have just teamed-up over a catchy Large Pro production for some of that good old back-and-forth rhyme routine action.

Mikey D and Tito also kicked some rhymes for 45 King‘s Making The Beat show the other week:
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Download: Fat Lace Show 009

spodcast9

Missed this when it dropped last month, but nevertheless this is an essential mix of obscure 80’s and 90’s rap courtesy of Drew Huge and Dan Large.