Video: Greyson & Jasun – Livin’ Like A Troopa 
After having this Vance Wright produced gem on repeat for the last few days after being reunited with my records, I stumbled across the video today. Two things worth noting – Greyson and Jaysun might have sold more records if they’d shot a cover photo dressed like this instead of the whole “suits in an abandoned bath house” look they went with, and this is still the finest use of “The Big Payback” loop ever used in rap, thanks to the slight pitch distortion effect, which I’m sure was the result of something messing up in the studio for brilliant results along the lines of the “Top Billin’” drum pattern.
Download: Kamakaze – Head On Promo Tape 
Thanks to The T.R.O.Y. Blog you can finally hear the unreleased Kamakaze album that the late KL and Kyron recorded with Marley Marl for Warner Bros. around ’94/’95. Special mention goes out to Poet for saying “Fuck the Juice Crew, we got some new niggas!” on “House ‘O Hitz Crew.”
Diamond D – The Unkut Interview
Growing up in Forest Projects in the South Bronx, DJ Diamond D embarked on a career as a local DJ before teaming-up with childhood friend Master Rob to form the Ultimate Force crew and release the “I’m Not Playing” single on Strong City. Following on from yesterdays detailed breakdown of his first solo album, we discussed his formative years as a music fan, his loyalty to those he grew-up with and some of his lesser known musical contributions beyond his work with the D.I.T.C. crew.
Robbie: How old were you when you first deejayed publicly?
Diamond D: First time I deejayed in public I was around 13, 14 in my projects at the jams outside. There were two DJ’s in my neighborhood – DJ Supreme and DJ Hutch. They would come outside and basically provide the soundtrack to our lives, through hip-hop. At some point, from me pestering them, they let me get on their set. To me that was the biggest deal, to be able to get on the turntables in your projects and feel the love of the people that were in the projects, basically.
Track By Track: Diamond D Breaks Down The Stunts, Blunts & Hip-Hop Album
Today marks ten years since I started Unkut Dot Com, and what better way to celebrate than to sit down with the original “Best Producer On The Mic” himself, Diamond D. Originally scheduled to take place in late 2012 to mark the 20th anniversary of his classic debut album, Stunts, Blunts & Hip-Hop, it wasn’t until last week that it finally happened. We began by discussing his timeless debut, track-by-track:
Diamond D: I’mma keep it a hunned with you, I only wanted twelve songs on there. But you’ve gotta remember in the early 90′s it wasn’t uncommon for an album to have 18, 19 songs. You look at Pete Rock‘s album, Mecca and the Soul Brother. You look at De La Soul‘s first album. If it had been up to me it wouldn’t have been 21 songs on that album. But Chemistry was just like, “We gonna just roll the dice and throw all the shit on there.” I can’t say which ones I would have left off, but I can tell you I ain’t want all 21 on there! But it seems like it’s good that they did that, because I never put out an album with them again.
Pre-Order: 93 til Infinity Souls Super Bundle
The latest collectible from Get On Down is this Souls of Mischief ’93 Til Infinity bundle includes a Hiero Light Box, a music box, gatefold 2XLP, a t-shirt and eleven bonus tracks. Unfortunately there’s no sign of the instrumentals, which I copped on double vinyl from the Hiero site years ago and allowed me to enjoy the production goodness of this album minus the high-pitched rapping.
Jigmastas – The Resurge
Kriminal and DJ Spinna are back at it with their first new music in five years. I’ve been a fan of the J.I.G.’s since day dot, so this is one rap reunion that means something to me.
A Collector’s Guide To White Rap Players
Click to enlarge. Pause.
Motorbooty, aka the Greatest Music Magazine Ever, once featured this four page collection of baseball cards dedicated to the history of saltine rappers dudes and dames. Salutes to Mark Dancey and Mark Rubin for putting this pioneering work together.
L The Head Toucha – Sesame Street Hood
Did it ever occur to you that there haven’t been enough Sesame Street themed rap songs recorded (outside of KMD‘s “Humrush”, which wasn’t about said street at all but featured Bert acting as the Human Sound Machine)? Goodie Mob‘s cut from the Soul Food album was sadly lacking in Super Grover references, while K-Otix “The Countdown” and MF Doom’s “Cookies” flip samples from the beloved program without any lyrical references, leaving Agallah’s “Crookie Monster” as the reigning Children’s Television Workshop champ, until now. Chopped Herring released an EP of L The Head Toucha demos in 2013, which featured this track which adds a whole bunch of extra “street” to said address over a sublime Vinyl Reanimators beat.
Read The Label: The Hydra Entertainment Story
The independent hip-hop resurgence of the mid-90′s seems great in retrospect, but in the days before widespread internets access it was often a case of pot-luck when ordering the latest batch of vinyl via fax from Beat Street or Mr Bongos. While most artists were releasing one-shot singles on their own imprints, there soon emerged a handful of reliable indy labels that were able to maintain a level of quality control amidst the glut of wax dropping every week. Stretch and Bobitto, having championed the best in underground rap for years on their cult radio show, both tried their hands at the label game with mixed results via the Dolo and Fondle ‘Em imprints, while Guesswyld, Tru Criminal, Raw Shack and Tape Kingz also released a few winners.
Download: Frank The Butcher & DJ7L – Illegal Business Mixtape
Here’s a tape of 90′s NY rap put together by my man’s DJ7L and his pal Frank The Butcher.
The Juice Crew – 1990 Tim Westwood Freestyle
Here’s a Tim Westwood sure shot from 1990, courtesy of CRC member Palmer Stallings. Biz Markie, Tragedy, Craig G, Big Daddy Kane and MC Shan all drop verses, alhough sadly there’s no sign of TJ Swan despite him apparently being in the house. Shout-out to the other radio station that crosses the signal a few times.
Unkut TV: Episode 22 – Special Ed Live In Philly
Following the Kool G Rap & DJ Polo set at Treasures in Philly, Special Ed took to the stage and performed “Think About It”, “Crooklyn”, “Come On Let’s Move It” and “I Got It Made”. Basically half of the crowd had gone outside for a smoke by the time he hit the stage, but Ed’s female fans were in full effect regardless.
The U.N. – Unreleased 
A Frozen Files radio exclusive from last month, this is destined for the UN Or U Out re-release next year with a few other cuts that only did the rounds on bootlegs.
Beast Coast vs. A$AP Mob In A Fashionista Rap Royal Rumble?
When Nas dedicated “Loco-Motive” to “all my 90’s dreaded N-word”, he had no idea of the floodgates that were about to open. Not that throwback rap is anything new, but things have apparently gotten to the stage where the Pro Era crew are now claiming that no one outside of the Beast Coast collective is allowed to shamelessly pander to nineties hip-hop nostalgia. After A$AP Mob dropped a track called “Trillmatic” the other day, over an a-typical vibed-out beat and featuring a blistering contribution from Method Man, Joey Bada$$’ manager felt a type of way and aired out the following on Twitter: “Love to see more rappers bite the pro era swank. Good shit Nast. Smh lol whats new with these “New York” negus?” To which Nast replied: “style jacking who my nigguh. 1990 born up you got us fucked up my g need to talk whatchu know” , followed by this more incenidary remark: “I GOTTA SHOW DEZ LIL NIGGUHS HOW TO REP THE 90′s FOR REAL” Roffle Harris.
A$AP Mob feat. A$AP Nast and Method Man – Trillmatic
This shameless attempt to pander to the CRC crowd actually works on the strength of Meth’s superb contribution. That being said, an A$AP Mob song being posted on Unkut may just signal the coming of the apocolypse.