Filed under: Killa Queens,Outdoorsmen,Video Clips
Written by: Robbie Ettelson
The lesson from this video? Never to get J-Love to sign your CD’s…
The lesson from this video? Never to get J-Love to sign your CD’s…
New clip from former Killa Kid Ruc Da Jackel as he recruits QB legend Blaq Poet to bless the booth.
Can Curtis Still Cut The Mustard In 2014 Or Nah?
Meyhem has just delivered the first of several collaborative projects with a single producer (next up is his DJ Muggs project), which thankfully proves to be a trimmed-down affair in light of his “everything and the kitchen sink” debut album, Self Induced Illness. His following two projects benefited from more focus, and having Buckwild at the helm for the whole of Silk Pyramids certainly pays off.
More Silk Pyramids action. Seems like a missed opportunity that this project wasn’t called Buck Lauren though.
This is the second release from The Shepard LP, produced by Ju Ju of The Beatnuts. Grab it over at iTunes if you want that official tissue.
Second release from DJ Jean Maron‘s True School project reunites Hav and P with Rapper Noyd.
Sahdeeq and Khadafi unleash that gutter speech over a sublime Lewis Parker track and some cuts from DJ Ready Cee. Taken from the Keepers of the Lost Art LP, available now through Below System.
Laurenovich and Buckwild preview a cut from the Silk Pyramids LP, dropping 24 May on Thrice Great Records.
Here’s a Monch/M-Phazes/DJ Revolution cut from the tenth anniversary Coalmine Records Unearthed LP, due 13 May, which is better than 85% of the new Pharoahe LP.
Another single from the Grand Capo LP, with Grand Papa Tre on the beat and DJ Modesty on the cuts.
Following the Foul Monday interview, fellow Killa Kidz member Ruc Da Jackel reached out to tell his story. Having been in the game since the age of twelve, Mr. QB has worked with Killa Sha, Nas and Ron Artest, and is currently preparing his debut solo album, I Am Queensbridge and just launched his I Am QB clothing line.
Robbie: What got you started in the rap game?
Ruc Da Jackel: It was just the element of Queensbridge. It’s always been around us, rap music has always been a part of our community. Having all them influences of hip-hop around me had me making raps up, banging on the lunchroom table. From there, just kept going.
Big Twins and Sid Roams re-united! Could this mean that The Project Kid, Vol. 2 is going to happen one day? Either way, more of this please.
Nas luhs to rap. But he also luhs to sing hooks. Having declared that he was the “first nigga to sing a hook on some TJ Swan shit” on “Nastradumus”, it’s only right that his crooning efforts are rated using the Unkut TJ Swan Rating System (c) during this scientific study of his efforts to make like the rap game Keith Sweat over the years.
Here’s the first drop from The Shepard LP, the Audible Doctor remix of “Cash.” From what I’ve heard of the other songs this album is could be even better than GOD Walk On Water.
Today would have been Sha Lumi The Great‘s birthday, if he hadn’t been taken from the physical in January 2010. I’ll be premiering the first release from his second album, The Shepard, later today, but in the meantime let’s take a minute to reminisce about his time on this small planet…
After enduring a number of false starts in the music game, QB MC Foul Monday is preparing his debut album title I Hate Fucking Mondays with a number of local and European producers. Having worked with Killa Sha and Ron Artest in the past, Foul has witnessed a lot of Queensbridge rap history, and he took a minute out to explain the finer points of that thun language with me.
Robbie: What inspired you to take rapping seriously?
Foul Monday: It was actually two different forces – one that made me start rhyming, and one that wanted me to start making music. I met Starvin B in the eighth grade – he’s Irish and Indonesian, so you can imagine what that package looks like rapping! At the time he was one of the best rappers in our school, so I was kinda inspired to be that. I’m thinking, “If this kid can do it, I can do it.” As fate would have it, he was transferred over to my class and we became good friends and he helped me find an identity with this rapping stuff. When you start out, you emulate, you steal, but he helped me find my own voice. As far as wanting to make music? That came from Killa Sha and the Killa Kidz. Those were my friends from the neighborhood, at that point they were already doing music and pressing up vinyls. Making music wasn’t realistic goal until I saw them doing it, so I just strived to get better and better until folks started acknowledging me for my talent.
After twenty long years, the CDQ version of Mobb Deep’s contribution to the long tradition of “The Bridge” remakes has finally been released into the wild. I’m declaring today an international holiday to celebrate – skip work, grab a few 40’s and go and brake some car windows in honor of this historic occasion.
The longest serving member of the Mobb Deep crew not named Havoc or Prodigy is Big Noyd, who was along for the ride through all of the highs and lows that the music industry had to throw at them, as well as surviving his fair share of challenging experiences as a soloist. Currently living in North Carolina, Rapper Noyd is currently working on his fourth official solo album with his old QB buddy Ron Artest aka Metta World Peace, and he took some time out to speak in detail about his long career in the rap game.
Robbie: How did it all start for you?
Big Noyd: We all were friends first, before rap. I used to be up in Queensbridge, then I moved to Brooklyn to stay with my aunts for a couple of years. Before I left, we used to listen to rap but we wasn’t really doing it. When I came back to visit on the weekend, Scarface Twin [Gambino] was like, “Yo, Havoc and Prodigy are in the studio. They signed with 4th & Broadway and they working on a rap album.” I was like, “Get the fuck outta here! Wow…cool.” I went there just to hang out in the studio and they were working on “Stomp ‘Em Out” and I was rhyming in there, I liked the beat. I was just doing what I liked to do, my own little rhyme, and then they heard it and they were like, “Yo, repeat that rhyme again! That’s perfect for this song we working on.” I was like, “Well if anything I’ll write a new verse.” Cos this verse was on something I was working on just for myself at the time – no record companies or anything like that – I had to be about fourteen years old. They were like, “Can you write another one? It won’t take that much time?” I write faster now, but back then it took me about an hour. I laid down the sixteen bars and it was perfect – history begin.
Artwork by Wry (TCK).
The new single from LEX features Meyhem Lauren over a Buck beat, with DJ Young C on the cuts. LEX is offering the digital version of his H.A.S.H?!: How About Some Hardcore?! for half price to Unkut readers if you use the promo code UNKUT before 31 March: here.
The Mobb and Nas look back at their glory days, but what lies ahead for these QB legends?
Mobb Deep are dropping a new album on 1 April, and as a bonus are including a CD called The 1994 Infamous Sessions, which will finally bless Thun Rap aficionados with high quality versions of the numerous 8th generation tape dubs floating around the internets. Until the real thing drops, I’ve pieced together a preview of the majority of the songs to whet your appetites, plus a few of the lost demo cuts that didn’t make it.
Thanks to The T.R.O.Y. Blog you can finally hear the unreleased Kamakaze album that the late KL and Kyron recorded with Marley Marl for Warner Bros. around ’94/’95. Special mention goes out to Poet for saying “Fuck the Juice Crew, we got some new niggas!” on “House ‘O Hitz Crew.”
Nas has escaped the kufi category at last, but does this mean he should make a track with Cam’Ron to celebrate?