These Professional Rap Ghostwriters Will Destroy Us All, Or So They Claim
It’s recently come to my attention that a new thirst bucket company by the name of Precision Writtens is outchea harassing every second rapper on the internets to employ their services to create the ultimate rapper dude by committee. Here’s the approach they took when they pitched their “services” to $amhill:
PW Talent Agent, Tyrone Bowman: “Ive been listening to a few of your tracks and think you got a tight sound. I’m with Precision Writtens and we write very intricate rap verses for artists. You can listen to some sample verses on our website to get a sense of what we mean by intricate. I know we can help you blow up big, easy. Take a look and let us know what you think fam. Peace”
MF Doom on The Stretch Armstrong Show, April 24, 1997
As is usually the way, it appears that MF Doom was inspired by Stretch Armstrong‘s beat selection for this 1997 rhyme session to go home and chop-up Kool G Rap‘s “Truly Yours” drums for the recorded version of “Go With The Flow.” Peace to Megalon, who may now actually be homeless after dedicating a song to said dude’s without a permanent address.
Thanks to Dirty Waters.
No Country For Old (Rap) Men: Old To The New
The Mobb and Nas look back at their glory days, but what lies ahead for these QB legends?
No Country For Old (Rap) Men: Old To The New
What To Expect From Mobb Deep’s 1994 Infamous Sessions CD
Mobb Deep are dropping a new album on 1 April, and as a bonus are including a CD called The 1994 Infamous Sessions, which will finally bless Thun Rap aficionados with high quality versions of the numerous 8th generation tape dubs floating around the internets. Until the real thing drops, I’ve pieced together a preview of the majority of the songs to whet your appetites, plus a few of the lost demo cuts that didn’t make it.
Lushlife – The Unkut Interview
Philidelphia’s own Lushlife caught my ear in 2012 with his Plateau Vision album, which saw him realize the potential heard on Cassette City and match the quality of his production with his rhymes. Currently working on a new album with producers CSLSX, I caught-up with Lushlife over the phone while he was midway through attempting to enjoy pizza and beer at a local bar to find out what inspired him to channel “Broken Language,” his appreciation for The LOX and why drinks cost so much in London.
Robbie: Did you start out as a producer or a rapper?
Lushlife: It didn’t even occur to me that I would rap. I had been making beats and doing production for many years, and I didn’t even want to go into the world of trying to find people to rhyme over my instrumentals. The moment that I got a mic at 20 – after a lifetime of listening and memorising rap songs – something just came out. As a hip-hop fan, I was like, “This is worthwhile shit!” So I just ran with that. The MC side of it came way second.
Video: Boldy James – What’s The Word
New video from the mighty My 1st Chemistry Set LP, which I’m still hoping gets a vinyl release one day.
via Mass Appeal.
Video: Greyson & Jasun – Livin’ Like A Troopa 
After having this Vance Wright produced gem on repeat for the last few days after being reunited with my records, I stumbled across the video today. Two things worth noting – Greyson and Jaysun might have sold more records if they’d shot a cover photo dressed like this instead of the whole “suits in an abandoned bath house” look they went with, and this is still the finest use of “The Big Payback” loop ever used in rap, thanks to the slight pitch distortion effect, which I’m sure was the result of something messing up in the studio for brilliant results along the lines of the “Top Billin’” drum pattern.
Stream: DJ Yoda – Rap Is Good 2014
DJ Yoda has put together a mix of New Rap That Doesn’t Suck from the last six months or so, which also happens to be Conservative Rap Coalition approved by happy coincidence.
Download: Kamakaze – Head On Promo Tape 
Thanks to The T.R.O.Y. Blog you can finally hear the unreleased Kamakaze album that the late KL and Kyron recorded with Marley Marl for Warner Bros. around ’94/’95. Special mention goes out to Poet for saying “Fuck the Juice Crew, we got some new niggas!” on “House ‘O Hitz Crew.”
Is Aaron Fuchs Really The Ultimate Bloodsucker of Hip-Hop?
The wolves are out. Irate rap fans everyone are calling for Aaron Fuchs‘ head on a pike following with the recent news that his publishing company Tuf America was suing singer Frank Ocean for unauthorized use of Mary J. Blige‘s “Real Love,” which he sung a portion of in the track “Super Rich Kids.” Predictably, this resulted in responses such as ?uestlove‘s tweet: “when i speak and reference the bloodsuckers of hip hop only ONE person comes to mind” despite the fact that Frank Ocean is technically an R&B singer. Aaron Fuchs seems to have provided a convenient scapegoat as the stereotypical “evil Jewish record label owner” who’s only purpose in life is to exploit black musicians in order to fill his own coffers. Based on the testimonies of some former Tuff City artists and a peanut gallery of online writers, this may seem to be the case. But things are never that cut and dried, so I thought it was time to investigate a little deeper than the first page of results from a Google search.
DJ Stitches – The Unkut Interview
The story of Charlie Rock aka DJ Stitches is a classic example of how brutal the music industry can be. As a founding member of De La Soul, only himself discarded once they signed their first record deal, he went on to score a contract with Mercury Records for his next group – Class A Felony – only to have the album stuck in limbo for two years after his MC was brutally murdered in a bungled robbery attempt. Having also been involved with records for Uptown and Ilacoin, Stitches shared a number of behind-the-scenes incidents during his extended tour of duty in the rap world, and revealed some untold Long Island hip-hop history.
Robbie: What inspired you become a DJ originally?
DJ Stitches: I’m from South Jamaica, Queens – Southside. The hip-hop scene in Queens – 1978, 1979 – I seen some DJ’s, and my cousin from The Bronx, Mixmaster TC and the Soul City Crew, he used to let me mess around on his turntables. I mighta been like eleven or twelve. Me and my cousin Blinky kinda had the bug since then, and I migrated to Long Island in ninth grade and then came to North Amityville.
Conservative Rap Coalition Polo Re-Up
CRC VP richdirection.
As part of Unkut Dot Com’s 10th anniversary celebrations and due to a number of requests, we’ve decided to do a small re-up on the world famous Conservative Rap Coalition polo shirts for $50 each, which is a saving of $5 from the original price. For those of you who fux with Unkut but don’t mess with collars, there will be a range of t-shirts available later this year, but for everybody else, this is a second chance to rep some official rap blog martorial elegance and be the envy of your friends and foes.
Radio Stream: The Unkut Guide To The Best and Worst 80′s Rap Ballads
The good folk over at PBS 106.7 FM invited me down to do a guest spot on Richie 1250‘s Stone Love program for Valentine’s Day, where I unleashed what I consider to be some of the best and worst examples of the dreaded 80′s rap ballad on unsuspecting listeners.
Diamond D – The Unkut Interview
Growing up in Forest Projects in the South Bronx, DJ Diamond D embarked on a career as a local DJ before teaming-up with childhood friend Master Rob to form the Ultimate Force crew and release the “I’m Not Playing” single on Strong City. Following on from yesterdays detailed breakdown of his first solo album, we discussed his formative years as a music fan, his loyalty to those he grew-up with and some of his lesser known musical contributions beyond his work with the D.I.T.C. crew.
Robbie: How old were you when you first deejayed publicly?
Diamond D: First time I deejayed in public I was around 13, 14 in my projects at the jams outside. There were two DJ’s in my neighborhood – DJ Supreme and DJ Hutch. They would come outside and basically provide the soundtrack to our lives, through hip-hop. At some point, from me pestering them, they let me get on their set. To me that was the biggest deal, to be able to get on the turntables in your projects and feel the love of the people that were in the projects, basically.
A Double Dose of Black Rob
BR has popped up with two new appearances this week. The first one is taken from his next album, Genuine Article, and sounds like it’s a left over from his stint at Duck Down based on the fact it contains Sean Price and Tek features and particularly sparse Easy Moe Bee beat.
Track By Track: Diamond D Breaks Down The Stunts, Blunts & Hip-Hop Album
Today marks ten years since I started Unkut Dot Com, and what better way to celebrate than to sit down with the original “Best Producer On The Mic” himself, Diamond D. Originally scheduled to take place in late 2012 to mark the 20th anniversary of his classic debut album, Stunts, Blunts & Hip-Hop, it wasn’t until last week that it finally happened. We began by discussing his timeless debut, track-by-track:
Diamond D: I’mma keep it a hunned with you, I only wanted twelve songs on there. But you’ve gotta remember in the early 90′s it wasn’t uncommon for an album to have 18, 19 songs. You look at Pete Rock‘s album, Mecca and the Soul Brother. You look at De La Soul‘s first album. If it had been up to me it wouldn’t have been 21 songs on that album. But Chemistry was just like, “We gonna just roll the dice and throw all the shit on there.” I can’t say which ones I would have left off, but I can tell you I ain’t want all 21 on there! But it seems like it’s good that they did that, because I never put out an album with them again.
Twenty Rap Albums To Be Buried With
I’ve had a few requests of late to break-down my list of personal favorite rap albums, so to set off this tenth anniversary week of Unkut Dot Com, here are the twenty tapes I’d like to be buried with, or take to a desert island with a crate of AA batteries for the Walkman.
Six Under-Appreciated Guest Raps
Posse cuts are a well-worn topic of discussion on the proverbial rap stoop, but spare a thought for those guest shots on other people’s albums, many of which seem to slip through the liner notes. Here are six cameos that spring to mind…
Pre-Order: 93 til Infinity Souls Super Bundle
The latest collectible from Get On Down is this Souls of Mischief ’93 Til Infinity bundle includes a Hiero Light Box, a music box, gatefold 2XLP, a t-shirt and eleven bonus tracks. Unfortunately there’s no sign of the instrumentals, which I copped on double vinyl from the Hiero site years ago and allowed me to enjoy the production goodness of this album minus the high-pitched rapping.