This Is What Roc Marciano’s Debut LP Originally Looked Like
Schott Free just blessed his Instagram with the track listing for an early version of Roc Marciano’s debut solo project, back when it was intended to drop on SRC Records. As you can see, only a portion of these tracks made the final version (albeit with some changes to the names and spellings). Here’s what Schott had to say about it:
Killa Sha – My Environment
This is the second release from The Shepard LP, produced by Ju Ju of The Beatnuts. Grab it over at iTunes if you want that official tissue.
The UMC’s – Tried To Tell Ya
Kool Kim aka NYOIL has reunited with Haas G aka Fantom to deliver the first UMC’s track in over twenty years.
The 45 King feat. Supreme – Go Head Up 
Some hidden New Jersey rap gold, taken from The 45 King‘s The Lost Breakbeats – Test Press LP. Don’t call it Fast Rap though, that’s not a valid genre.
CRC-Approved Rap: March 2014 Edition
Had a request the other day for a weekly round-up of Unkut rap recommendations, but since I’m lucky if there’s one good new song every seven days, it makes more sense to turn it into a monthly round-up of Conservative Rap Coalition approved tunes.
Sean Price & Illa Ghee – Dave Winfield
New Sean P and Illa Ghee, from the MM. Rick Sorry I’m Late mixtape, hosted by Redman and available here.
Big Noyd – The Unkut Interview
The longest serving member of the Mobb Deep crew not named Havoc or Prodigy is Big Noyd, who was along for the ride through all of the highs and lows that the music industry had to throw at them, as well as surviving his fair share of challenging experiences as a soloist. Currently living in North Carolina, Rapper Noyd is currently working on his fourth official solo album with his old QB buddy Ron Artest aka Metta World Peace, and he took some time out to speak in detail about his long career in the rap game.
Robbie: How did it all start for you?
Big Noyd: We all were friends first, before rap. I used to be up in Queensbridge, then I moved to Brooklyn to stay with my aunts for a couple of years. Before I left, we used to listen to rap but we wasn’t really doing it. When I came back to visit on the weekend, Scarface Twin [Gambino] was like, “Yo, Havoc and Prodigy are in the studio. They signed with 4th & Broadway and they working on a rap album.” I was like, “Get the fuck outta here! Wow…cool.” I went there just to hang out in the studio and they were working on “Stomp ‘Em Out” and I was rhyming in there, I liked the beat. I was just doing what I liked to do, my own little rhyme, and then they heard it and they were like, “Yo, repeat that rhyme again! That’s perfect for this song we working on.” I was like, “Well if anything I’ll write a new verse.” Cos this verse was on something I was working on just for myself at the time – no record companies or anything like that – I had to be about fourteen years old. They were like, “Can you write another one? It won’t take that much time?” I write faster now, but back then it took me about an hour. I laid down the sixteen bars and it was perfect – history begin.
Vote Or Die: Who Flipped The Payback The Nicest?
James Brown, for all intents and purposes, created rap. It’s therefore no surprise that he’s also supplied some of the most enduring breaks and loops of all time, my personal favorite being “The Payback.” Of the hundreds of uses of this super tight testament to revenge, here are nine that really stood out for me, plus a wildcard pick from Miami just to keep things interesting. This also marks the return of the ‘Vote Or Die’ section of Unkut, in dedication to the time that Puffy called future presidential hopeful Barack Obama “kid” during his MTV coverage of the 2004 elections.
These Professional Rap Ghostwriters Will Destroy Us All, Or So They Claim
It’s recently come to my attention that a new thirst bucket company by the name of Precision Writtens is outchea harassing every second rapper on the internets to employ their services to create the ultimate rapper dude by committee. Here’s the approach they took when they pitched their “services” to $amhill:
PW Talent Agent, Tyrone Bowman: “Ive been listening to a few of your tracks and think you got a tight sound. I’m with Precision Writtens and we write very intricate rap verses for artists. You can listen to some sample verses on our website to get a sense of what we mean by intricate. I know we can help you blow up big, easy. Take a look and let us know what you think fam. Peace”
MF Doom on The Stretch Armstrong Show, April 24, 1997
As is usually the way, it appears that MF Doom was inspired by Stretch Armstrong‘s beat selection for this 1997 rhyme session to go home and chop-up Kool G Rap‘s “Truly Yours” drums for the recorded version of “Go With The Flow.” Peace to Megalon, who may now actually be homeless after dedicating a song to said dude’s without a permanent address.
Thanks to Dirty Waters.
No Country For Old (Rap) Men: Old To The New
The Mobb and Nas look back at their glory days, but what lies ahead for these QB legends?
No Country For Old (Rap) Men: Old To The New
What To Expect From Mobb Deep’s 1994 Infamous Sessions CD
Mobb Deep are dropping a new album on 1 April, and as a bonus are including a CD called The 1994 Infamous Sessions, which will finally bless Thun Rap aficionados with high quality versions of the numerous 8th generation tape dubs floating around the internets. Until the real thing drops, I’ve pieced together a preview of the majority of the songs to whet your appetites, plus a few of the lost demo cuts that didn’t make it.
Lushlife – The Unkut Interview
Philidelphia’s own Lushlife caught my ear in 2012 with his Plateau Vision album, which saw him realize the potential heard on Cassette City and match the quality of his production with his rhymes. Currently working on a new album with producers CSLSX, I caught-up with Lushlife over the phone while he was midway through attempting to enjoy pizza and beer at a local bar to find out what inspired him to channel “Broken Language,” his appreciation for The LOX and why drinks cost so much in London.
Robbie: Did you start out as a producer or a rapper?
Lushlife: It didn’t even occur to me that I would rap. I had been making beats and doing production for many years, and I didn’t even want to go into the world of trying to find people to rhyme over my instrumentals. The moment that I got a mic at 20 – after a lifetime of listening and memorising rap songs – something just came out. As a hip-hop fan, I was like, “This is worthwhile shit!” So I just ran with that. The MC side of it came way second.
Video: Boldy James – What’s The Word
New video from the mighty My 1st Chemistry Set LP, which I’m still hoping gets a vinyl release one day.
via Mass Appeal.
Video: Greyson & Jasun – Livin’ Like A Troopa 
After having this Vance Wright produced gem on repeat for the last few days after being reunited with my records, I stumbled across the video today. Two things worth noting – Greyson and Jaysun might have sold more records if they’d shot a cover photo dressed like this instead of the whole “suits in an abandoned bath house” look they went with, and this is still the finest use of “The Big Payback” loop ever used in rap, thanks to the slight pitch distortion effect, which I’m sure was the result of something messing up in the studio for brilliant results along the lines of the “Top Billin’” drum pattern.
Stream: DJ Yoda – Rap Is Good 2014
DJ Yoda has put together a mix of New Rap That Doesn’t Suck from the last six months or so, which also happens to be Conservative Rap Coalition approved by happy coincidence.
Download: Kamakaze – Head On Promo Tape 
Thanks to The T.R.O.Y. Blog you can finally hear the unreleased Kamakaze album that the late KL and Kyron recorded with Marley Marl for Warner Bros. around ’94/’95. Special mention goes out to Poet for saying “Fuck the Juice Crew, we got some new niggas!” on “House ‘O Hitz Crew.”
Is Aaron Fuchs Really The Ultimate Bloodsucker of Hip-Hop?
The wolves are out. Irate rap fans everyone are calling for Aaron Fuchs‘ head on a pike following with the recent news that his publishing company Tuf America was suing singer Frank Ocean for unauthorized use of Mary J. Blige‘s “Real Love,” which he sung a portion of in the track “Super Rich Kids.” Predictably, this resulted in responses such as ?uestlove‘s tweet: “when i speak and reference the bloodsuckers of hip hop only ONE person comes to mind” despite the fact that Frank Ocean is technically an R&B singer. Aaron Fuchs seems to have provided a convenient scapegoat as the stereotypical “evil Jewish record label owner” who’s only purpose in life is to exploit black musicians in order to fill his own coffers. Based on the testimonies of some former Tuff City artists and a peanut gallery of online writers, this may seem to be the case. But things are never that cut and dried, so I thought it was time to investigate a little deeper than the first page of results from a Google search.
DJ Stitches – The Unkut Interview
The story of Charlie Rock aka DJ Stitches is a classic example of how brutal the music industry can be. As a founding member of De La Soul, only himself discarded once they signed their first record deal, he went on to score a contract with Mercury Records for his next group – Class A Felony – only to have the album stuck in limbo for two years after his MC was brutally murdered in a bungled robbery attempt. Having also been involved with records for Uptown and Ilacoin, Stitches shared a number of behind-the-scenes incidents during his extended tour of duty in the rap world, and revealed some untold Long Island hip-hop history.
Robbie: What inspired you become a DJ originally?
DJ Stitches: I’m from South Jamaica, Queens – Southside. The hip-hop scene in Queens – 1978, 1979 – I seen some DJ’s, and my cousin from The Bronx, Mixmaster TC and the Soul City Crew, he used to let me mess around on his turntables. I mighta been like eleven or twelve. Me and my cousin Blinky kinda had the bug since then, and I migrated to Long Island in ninth grade and then came to North Amityville.
Conservative Rap Coalition Polo Re-Up
CRC VP richdirection.
As part of Unkut Dot Com’s 10th anniversary celebrations and due to a number of requests, we’ve decided to do a small re-up on the world famous Conservative Rap Coalition polo shirts for $50 each, which is a saving of $5 from the original price. For those of you who fux with Unkut but don’t mess with collars, there will be a range of t-shirts available later this year, but for everybody else, this is a second chance to rep some official rap blog martorial elegance and be the envy of your friends and foes.