Aaron Fuchs discusses working with Pumpkin, addresses the UltramagneticBasement Tapes controvery, names his three favorite Tuff City records and reflects and how the music histroy books will view his legacy.
Since I threw out the statement that “I respect Jay Dee but he doesn’t crack my top 25″ comment earlier, it’s only right that I back it up by providing the Unkut top 30 in no particular order. Send all hate mail to the usual address. (more…)
A decade ago, the magic of the Blogger platform allowed many an aspiring rap message board warrior step into the big leagues and pull themselves up by their bootstraps to become the media big dogs that they are today. The characters covered here have risen to the ranks of published authors, college professors, internets celebrities, Tumblr cult leaders and even presidents of important international movements. Let’s take a look back at some early rap blog gawds…
Tuff City Records founder Aaron Fuchs discusses starting the label in the early 80′s, his history as a music critic and the story behind some of the first records he released in the first part of this in-depth interview.
In an attempt to prove that not all cigarettes are created equal, I challenged Canadian-born BK rap producer Marco Polo to rate five other brands of tailor-made smokes, purchased from gals out the front of various bars in Brooklyn, all in the name of science. PA2: The Director’s Cut drops 12 November, 2013.
In response to Mr. Magic‘s Rap Attack show on WBLS, New York’s KISS-FM mounted a counter-attack by recruiting DJ Chuck Chillout and Kool DJ Red Alert. The resulting competition meant that Tri-Borough residents were spoiled for choice in the mid to late 80′s when it came to hip-hop on the radio. Chuck was also a member of The B-Boys, released several DJ records and produced for crews like The Dismasters, Deuces Wild and put out an album with Kool Chip in between breaking new music on his Friday night show. Here’s what he had to say about the most exciting era of hip-hop on wax, getting mobbed by fans and his uncle’s love of Australian beer.
Robbie: When did you start deejaying?
DJ Chuck Chillout: I started playing when I was thirteen, fourteen. You’re trying to make a name for yourself, so you practice in the basement, get a little house party. The next thing you know, you’re making your little tapes. Your tape starts circulating and you start making a name for yourself, but no one really knows who you are so now you’ve gotta come out and play in the parks and make a name for yourself. Once you get to the park and you can really hold it down then people will book you in the clubs. Then I went from the club to the radio. (more…)
Just found this interview from Modern Fix magazine, which was my first published cover feature, that I never put on the site. Ironically, A-Trak would prove to be heavily involved with the dreaded Hipster Rap invasion which Unkut was so instrumental in shutting down…
While most of us were trying to score a six-pack and steal a copy of Hustler, Alain Macklovitch was in his parent’s Montreal basement at the tender age of thirteen, mastering the art of scratching and mixing on the turntable he bought with his Bar Mitzvah money (not to say that he wasn’t spending his down-time staring at nude chicks, but most likely a little less than some of us). Only two years later, he had developed his skills to such a supreme level that he was able to compete in the DMC’s with dudes twice his age – and beat all of those fuckers! After winning the deejay’s equivalent of the World Series (with the main difference being that you actually are competing against the entire planet), he was asked to join the Invisibl Skratch Piklz, which featured heavyweights such as Mixmaster Mike and DJ Q-Bert, before eventually teaming-up with a new crew called The Allies, who went on to win just about every DJ title out in both group and solo categories. By the time Alain (aka A-Trak aka Young Trizzle) retired from the competitive scene at 18, he had five world championships under his belt, and was ready to expand his range into other areas of the music game.
Back in 1997, he had started a hip-hop label with older brother Dave, primarily to release vinyl from Obscure Disorder (their group back in Canada who released several well-received 12’s, including a popular record with Non-Phixion). These days, he’s got a new label (Fool’s Gold), has toured the world as Kanye West’s DJ and has all kinds of spin-off’s from his autobiographical DVD released in 2006 called “Sunglasses Is A Must”. Having just wrapped-up a three week European tour with DJ Craze and Dominant, I spoke to A-Trak at his friend’s house in London. (more…)
Check the complete video of the Stretch and Bobbito‘s appearance with ego trip’s Sacha Jenkins at the New Museum last Friday, which followed their special 1993 broadcast on WCKR. Shout-out to Mr. Armstrong for being the only other rap dude other than myself to rep sports coats and boat shoes on the regular.
New Museum: In conjunction with the New Museum exhibition “NYC 1993,” Stretch Armstrong and Bobbito Garcia discussed New York City circa 1993 through the lens of rap music. Events like the election of Rudolph Giuliani and the World Trade Center bombing changed the city’s landscape, as debut releases by the Wu-Tang Clan and Black Moon established a new tone for New York rap.
Here’s the latest episode of the Star and Buc Wild Show, which is live streamed on YouTube at 12pm every weekday and then rebroadcast on Shot 97. Basically it consists of Star shitting on people, dudes calling-up to make sure that Star got their donation to play their song and various other fuckery. Star might be showing his age by the fact that he still owns a Blackberry and has a Yahoo email address, but he’s lost none of that hate in his heart, which is something that Unkut Dot Com has to respect. You can also cop his book for free ninety nine if you still believe that reading is fundamental.