Marlon Williams, Jr. is the son of the greatest hip-hop producer of all time, Engineer All-Star Marley Marl. That’s a lot of pressure to deal with. Nevertheless, this classically-trained musician eventually found himself drawn into the world of beats and rhymes. His last couple of instrumental projects – dedications to Dexter Wansel and Alan Parsons demonstrate that he’s been able to develop his own individual sound. We discuss Future Flavas, his relationship with his dad and of course that elusive TJ Swan album!
Robbie: What part of New York did you grow-up in?
M. Will: When I was 5 or 6, we moved to Flushing, Queens. I lived in The Bronx for a little bit and went to school in Manhattan forever.
What made you want to make music?
I was into classical music as a child, and I was around my dad a lot when he was making a lot of stuff – late 90’s, early 2000’s – when Future Flavas was wrapping up, at the height of that. There was a lot of beats going on. I would be in a few sessions, just staying at my dad’s for weekends. They would record Future Flavas there live, every weekend when it was broadcasted on Hot 97. I wouldn’t necessarily be in the studio but I would be in the house. Those experiences steered me in the direction I’m going in now. (more…)
Combat Jack got stung by RA back in his law days, but just as NORE forgave him effing up the CNN deal, Combat takes it in his stride and has the original Crazy White Guy of Rap on the show.
Check the complete video of the Stretch and Bobbito‘s appearance with ego trip’s Sacha Jenkins at the New Museum last Friday, which followed their special 1993 broadcast on WCKR. Shout-out to Mr. Armstrong for being the only other rap dude other than myself to rep sports coats and boat shoes on the regular.
New Museum: In conjunction with the New Museum exhibition “NYC 1993,” Stretch Armstrong and Bobbito Garcia discussed New York City circa 1993 through the lens of rap music. Events like the election of Rudolph Giuliani and the World Trade Center bombing changed the city’s landscape, as debut releases by the Wu-Tang Clan and Black Moon established a new tone for New York rap.
The clear highlight of the reunion show was this timeless interaction between Bobbito Garcia and Rickey Powell during a 1993 episode of The Stretch Armstrong Show. I couldn’t resist but upload it to YouTube for prosperity posterity.
The greatest rap radio show of the 90′s had one more go-around at 89 tech 9 the other night as Stretch Armstrong and Bobbito shared some classic tapes of the show from 1993. While the live stream was straining under the weight of all the old heads trying to tune in across the globe, I was able to catch the authentic 90′s flashback of using Real Player for the first time in fifteen years. Be on the look-out for the priceless ethering that Ricky Powell caught when he called into the show way back when.
This week, I took a journey to the Ratchet Side. Never before have so many unattractive broads who somehow believe that they are “divas” been collected in one place.
Star and Buc Wild. Couldn’t control these cats, even with Dallas Penn on deck. In a rare interview, Star shared his past, how he was an actual street pimp in New York City in the early 1980′s, how he went to war with a handgun against a Dominican chick armed with and uzi and got sprayed up, his cocaine and mescaline fueled days, how he pimped MTV, Hot 97 and Power 105, why he has no issue with Big Tigger, how he’s never been impressed with Howard Stern, his love for DJ Vlad, what his hate is really about, how he doesn’t know who the fuck Just Blaze is, how someone who doesn’t fux with Hip Hop became a Hip Hop icon and more. This was too much. Dig in my cousin.
To compliment the interview with Jonathan Shecter, here’s a classic episode of Shecky Green (aka The Sultan of Rap) and David Mays (aka Go-Go Dave) old radio show, which started The Source newsletter, on 95.3FM WHRB. Featuring Almighty R.S.O.‘s DJ Deff Jeff. Thanks to DJ 7L for passing this on.