“Unkut.com is a unique and more importantly necessary platform. Much like Conspiracy Worldwide Radio its visitors are devoted Rap nerds whom are passionate about preserving Hip Hop’s historical and traditional values, so it was our pleasure to invite its mastermind Robbie Ettelson on the show. We talk his role as contributing editor to Hip Hop Connection Magazine, interviewing legends, the Conservative Rap Coalition and so much more.”
You can hear me mumbling about the site and the mighty CRC at the 1 hour mark. Shout-out to Menace and Mista Montana for giving the site some shine. Other guests included Cage, Mighty Mi, Troy Ave, NORE, Krumbsnatcha and more.
“Kane goes deep with his history, what he thinks about Mr. Cee, how he produced the majority of ‘Long Live The Kane’ with no credits, how Doug E Fresh taught him how to rock the crowd, how some cats from The Juice Crew wasn’t fuxin with him, how he really wanted to battle KRS-One, what Madonna smells like, how he shopped a young Jay Z with no success, why he started wearing purple silks and such…”
^ I was far better dressed than Chris Brown, natch.
While I was in NY, I snuck into the Hot 97 studios and caught-up with Peter Rosenberg for his Juan Epstein podcast. We talked about classic Unkut interviews, the Conservative Rap Coalition, the importance of Lord Finesse and much more.
Glad to see this one didn’t get shut-down by Foxy’s people:
“Foxy did this. Foxy did that.” There’s been mad talk about the Ill Na Na since like forever, and while ya’ll keep staying with your face in her puss, I guarantee you ain’t ever hear Foxy talk in first person like this. From her pops bouncing when she was 4 years old, to dating Haitian Jack at 14, her and Jay Z moving from the bench to the studio to the top, getting sucker punched with the deafness, her relationship with Nicki Minaj, that bid in jail.. I put money on it that this is the realest shit she ever spoke.
Marlon Williams, Jr. is the son of the greatest hip-hop producer of all time, Engineer All-Star Marley Marl. That’s a lot of pressure to deal with. Nevertheless, this classically-trained musician eventually found himself drawn into the world of beats and rhymes. His last couple of instrumental projects – dedications to Dexter Wansel and Alan Parsons demonstrate that he’s been able to develop his own individual sound. We discuss Future Flavas, his relationship with his dad and of course that elusive TJ Swan album!
Robbie: What part of New York did you grow-up in?
M. Will: When I was 5 or 6, we moved to Flushing, Queens. I lived in The Bronx for a little bit and went to school in Manhattan forever.
What made you want to make music?
I was into classical music as a child, and I was around my dad a lot when he was making a lot of stuff – late 90’s, early 2000’s – when Future Flavas was wrapping up, at the height of that. There was a lot of beats going on. I would be in a few sessions, just staying at my dad’s for weekends. They would record Future Flavas there live, every weekend when it was broadcasted on Hot 97. I wouldn’t necessarily be in the studio but I would be in the house. Those experiences steered me in the direction I’m going in now. (more…)
Check the complete video of the Stretch and Bobbito‘s appearance with ego trip’s Sacha Jenkins at the New Museum last Friday, which followed their special 1993 broadcast on WCKR. Shout-out to Mr. Armstrong for being the only other rap dude other than myself to rep sports coats and boat shoes on the regular.
New Museum: In conjunction with the New Museum exhibition “NYC 1993,” Stretch Armstrong and Bobbito Garcia discussed New York City circa 1993 through the lens of rap music. Events like the election of Rudolph Giuliani and the World Trade Center bombing changed the city’s landscape, as debut releases by the Wu-Tang Clan and Black Moon established a new tone for New York rap.