The fifth solo album from The Live Guy With Glasses finds L.P. in a reflective mood, as he revisits cherished musical memories from his childhood (‘Dreams Don’t Die’), salutes the achievements of Nas (‘In The Scrolls’) and demands respect for his generation of rapper dudes (‘New Train Ole Route’). It’s a short album that doesn’t outstay its welcome, managing to feel like his most focused and cohesive project since The LP. Where as Main Source and Professor @ Large both offered some stand-out tracks, they felt more like collections of songs rather than the fully-realized long-player that Breaking Atoms was in terms of pacing and covering a wide range of topics. (more…)
My old drinking buddy Phillip Mlynar penned Lyricist Lounge: An Oral History this week, which reminded me of just how disappointing the actual album dedicated to that place was. As a record buyer during that period, I fondly recall that period in the mid to late 90’s when MF Doom, Juggaknots, Jigmastas and Scaramanga were releasing some cutting-edge music. But I also remember that, as it’s always been, 85% of the singles released during the ‘indy rap renaissance’ were either generic, corny Backpack Rap or weirdo Company Flow type nonsense. When the Lyricist Lounge, Volume 1 album in 1998, there was a fair amount of hype behind it and in what would turn out to be one of my more regrettable purchasing decisions I decided to shell-out for the 4 LP edition only having heard the breezily enjoyable ‘Body Rock’ single with Mos Def, Tash and Q-Tip. (more…)
Thank fuck. It’s taken five months, but 2015 has finally delivered not one, not two, but three great rap albums in the space of a week. I’m in such a state of shock that I had to cop a bottle of Jameson and break my own anti-review policy to give these releases some light.
You Toober Eddie Frank has pieced together the original footage which MF Doom used to create the memorable Operation: Doomsday and MM Food skits. Comic nerds and fans of poorly drawn animation, unite! (more…)
Young Zee of the Outsidaz is finally getting an official release of his shelved 1996 album on cassette and CD through Gentleman’s Relief Records on 28 April (with liner notes from dedicated Outsidaz disciple Werner), having previously been issued over a couple of EP’s by Dope Folks Records.
United Crates has put together a superb collection of Ason Unique deep cuts and freestyles to mark the recent 20th anniversary of the Return To The 36 Chambers album. A timely reminder that Wu-Tang is for the children.
United Crates has assembled some of the Outdoorsman’s older work to mark four years since Dr. Lecter dropped. Who knew that this Flushing, Queens rapper dude would turn out to be the Hipster Music Mafia’s pin-up boy? Regardless, dude can rap and ‘Shiraz’ is still my shit.
The prospect of getting a guided audio tour through Afrika Bambaataa‘s record collection by two lifelong music geeks is appealing to even the most cursory of music fans, if the jam-packed crowd that squeezed into Melbourne’s Forum Theater on Friday night is anything to go by. It certainly didn’t hurt that it was helmed by music festival darlings Shadow and Cut Chemist, which made the whole thing easier to digest for those in the audience who haven’t memorised Bam’s original Blues and Soul list of his favorite breaks. (more…)
AJ Rok and B-Luv perform their most requested record in front of their dancers and some kind of green screen backdrop on a mystery TV broadcast. Is it public access television? Did Kool DJ Red Alert have a TV show at some stage that time has forgotten? Regardless, AJ reps the CRC with his sensible cableknit
Halloween is here, and so is another Conservative Rap Coalition Records sure-shot! This time the other half of Da Buze Brovaz, Clever 1, delivers twelve slabs of Philly heat produced by DJ Rocksteady. Throw your L’s up and don’t turn nothing down but the collar.
Milano is finally releasing his vaulted 2002 album The Believers on CD and iTunes, featuring an impressive production team consisting of DJ Premier, Showbiz, Lord Finesse, Buckwild, Emile, Ahmed, T-Ray and Molecules from The Legion. For those who can’t wait for the official tissue, Milano has blessed me with a copy to share with the loyal Unkut Dot Com readers. Tell ’em!
*Update: The album is getting an official release so Milano requested that I remove the link. Please cop the official version when it drops.*
The latest release on CRC Records “tells the saga of various Big Beautiful pornographic actresses and their stories narrated by various rappers. Backed by melodic production and storytelling dedicated to all of the best and beautiful big girls who fornicate on film.”
I’ll be posting an interview with Cole James Cash discussing how he put this album together, but in the meantime, stream or download this dedication to chubby chicas.
Empire Music have posted the new Diamond album on their YouTube channel for your enjoyment. Here’s a re-up of D-Squizzy’s track-by-track breakdown of the album here while you listen. Available now on CD and digital.
Diamond D: It’s more or less a production LP, about two and a half years it took. A lot of tracks I didn’t even use. I had about 27 tracks but I only used 18. Some of the artists I was in the studio with, and others – because of their touring schedule and my touring schedule – I just sent them music and they sent me the session back. If the track that I give them has a sample in it that’s giving it direction then they’ll follow that. If there is no sample or concept at the beginning I just let the MC’s paint their own pictures and try to figure out how can make it connect. I use a lot more live instrumentation now. I still chop and manipulate samples, but my sound just sounds bigger now. Just using better equipment so the sample frequencies are better.
The Rawkus era, so fondly remembered by misty-eyed hip-hop forum regulars as some kind of third golden era, left me largely nonplussed at the time and with the steady passage of time passing us by, many of those records haven’t aged well at all. I was all about Hydra Entertainment and Tru Criminal, personally, but I did have an unfortunate run-in with the horrendously overrated Black Star LP after a buddy of mine who worked in a record store recommended it to me while I was ordering second-hand Big Noyd singles. After the records arrived in the mail and I threw on the Mos Def and Talib Kweli album, which certainly looked the business courtesy of Brent Rollins sharp artwork. I was then subjected to what can only be described as the most disappointing album purchase since I copped the first Arabian Prince album.
Let me break it down the issues I have with this record, one at a time: