As I predicted last week, Pap took the opportunity to make a song about Trinidad James, proving that he is officially BK’s answer to The Game in that he loves to make records about people that are never going to bother to respond to him. Guess there really is something to that “minor league” shade after all.
More BDP action with this vinyl rip from Rob Pursey of Southern Hospitality. Apparently the UK pressing of the “Duck Down” 12″ features an alternative version of the Pal Joey produced track, despite being labeled as the “LP Version”. Sporting a looser deliver from KRS, an extra bassline and an extra verse going at X-Clan, which would later end-up as part of “Build and Destroy”, from the same LP. Was there some kind of fuck up and an early demo version of “Duck Down” was pressed up for the British audience, or did the Jive UK office just prefer this version? Regardless, it’s more greatness from the third best BDP album, and therefore essential listening.
Just noticed this comment from Lair dating back to February, where he points out, “I think Keith recorded a diss track just for you off of this article”, linking to a song that dropped a mere 12 days after I expressed my bitter disappointment at Ultramagnetic MC’sCritical Beatdown tour.
While the cover image bares a striking resemblance to the venue I attended, the rhymes don’t really confirm that it has anything to do with my review, unless you consider “You heard the track accurate, that’s what I’m about” to be a rationale for his lip-syncing during the show in question, and “Laugh online…LOL…they stuck!” to be a subliminal aimed at Unkut HQ.
Hold up! On closer inspection, “Caught up in the zone like people with long cords on they phone/they can’t think out the box, so they won’t stay in the box” pretty much sums up everything that the Conservative Rap Coalition is about. Did Poppa Large (pause) just ether me?
What with the current influx of Molly Rap, Acid Rap, Loud Rap, Lean Rap, Yayo Rap, Bath Salts Rap and whatever the fuck else these characters are getting bent off, it seems like we’ve returned to the Slow Rap era that Cypress Hill heralded in the early nineties. Does that mean that we need to get twisted on the appropriate substance to fully enjoy much of this new rap? I’m pretty sure you need ingest heroic quantities of codeine to fully enjoy this new DOOM song with Clams Casino, “Bookends”: (more…)
The Greatest Man Alive, Da Wizzard of Odds and V-Born kicking rhymes over finger snaps for the Krush Rap show. Larry Larr gets a quick jab in at Cool C, while EST buries his old crew and his former manager in typically acknickulous fashion. Hopefuly footage of the time that one of the Hilltop threw a quarter at EST at the basketball court and the resulting brawl will turn up one day.
The clear highlight of the reunion show was this timeless interaction between Bobbito Garcia and Rickey Powell during a 1993 episode of The Stretch Armstrong Show. I couldn’t resist but upload it to YouTube for prosperity posterity.
Remember when that Stuff White People Like blog got turned into a very popular book? Me neither, but apparently it did. My long-time internets associate Byron Crawford released his first tome, Mindset of a Champion, last year, and it turned out to be a great read. The sequel manages to improve on his print debut (technically it was only an ebook but will be available in paperback soon), on account of being longer, funnier and touching a broader range of targets. Where Champion was most likely written in a week, it seems as though Bol spent at least three weeks on this. No shots, for a professional blogger and America’s “leading black intellectual”, three weeks is a virtual lifetime. (more…)
It’s tough being the Big Man On Campus in the wacky world of Rap Magazines. The Source had a great run where they were basically unchallenged for years – despite some good work from Hip Hop Connection in the UK, they couldn’t match the access that the Mind Squadd had to cutting-edge New York music for the first half of the 90′s. The influence that The Source had also made them a prime target for disgruntled rappers, all of whom seemed to believe that everything they released was worth “Five Mics” (you may recall Outkast complaining that their debut “only” received 4.5 mics in later tracks). Sometimes it was a little more personal, as was the case for Ice-T, Public Enemy and Cypress Hill, who were all directly criticised in columns and decided to fire back on record. The following is a collection of some of the more noteworthy attacks on the house that Sheck built.