Erick and Parrish made some dollars, then “someone” robbed P’s crib and E Double “fell” out of a window. We’re all familiar with their many hit singles, but here are a selection of worthy album tracks from the seven group albums, plus a couple from when they went for “delf.” (more…)
Bonus points for the Le Coq Sportif reference, although Marciano apparently wasn’t able to make it to the video shoot on some ol’ LL-missing-the-“Rampage”-clip type shit. Taken from the Thirty Eight LP.
As a founding member of The UN with Roc Marciano, Dino Brave has experienced a lot of Long Island rap history first hand. Inspired by the Spectrum City crew coming up (which would later evolve into Public Enemy), Brave had his time in the spotlight cut short thanks to bad timing in the crumbling music industry. But with the recent re-release of UN Or U Out, a new generation of rap fanatics are getting the chance to hear Brave, Laku, Mike Raw and Roc Marciano in action once again.
Robbie: How did everything start for you?
Dino Brave: It was kinda handed down to me, man. A lotta people in the family did music. My older brothers played instruments – they played guitar, they played the drums, made beats, keyboard players – all sorts of things. I grew-up with production studios in my house! I got into deejaying, it was the cheapest equipment I could get my hands on, putting two record players together and a mixer. I started deejaying around seven, touching official turntables. I was doing pretty everything that I wanted to do with the turntable, that I seen the great’s doing – it was boring for me at that point. So I decided to pick up the mic at thirteen. I heard “My Melody” and that made me want to write my first rap. I went to school with it, dude’s used to bang beats on the table and stuff like that. I kicked the rhyme, and my cousin who I was in school with loved it. He was like, “Run with it,” so I ran with it. I kept writing, did talent shows coming up and just start making tapes after school. I went to school with dude’s from The UN, so they were those guys at the lunch table, beating on the tables and making rhymes.
Schott Free just blessed his Instagram with the track listing for an early version of Roc Marciano’s debut solo project, back when it was intended to drop on SRC Records. As you can see, only a portion of these tracks made the final version (albeit with some changes to the names and spellings). Here’s what Schott had to say about it: (more…)
The debut album from The U.N. (Dino Brave, Mike Raw, Laku and Roc Marciano) is getting a re-release in April with two bonus tracks. Since most of you no doubt copped this when it first dropped, the good news is Fat Beats are pressing a tape version for ten bones. Frozen Files played “4 The Luv” last November, and “UN Da House” is from the World Domination mixtape (which deserves a vinyl release of it’s own since that was arguably better than official LP).
The story of Charlie Rock aka DJ Stitches is a classic example of how brutal the music industry can be. As a founding member of De La Soul, only himself discarded once they signed their first record deal, he went on to score a contract with Mercury Records for his next group – Class A Felony – only to have the album stuck in limbo for two years after his MC was brutally murdered in a bungled robbery attempt. Having also been involved with records for Uptown and Ilacoin, Stitches shared a number of behind-the-scenes incidents during his extended tour of duty in the rap world, and revealed some untold Long Island hip-hop history.
Robbie: What inspired you become a DJ originally?
DJ Stitches: I’m from South Jamaica, Queens – Southside. The hip-hop scene in Queens – 1978, 1979 – I seen some DJ’s, and my cousin from The Bronx, Mixmaster TC and the Soul City Crew, he used to let me mess around on his turntables. I mighta been like eleven or twelve. Me and my cousin Blinky kinda had the bug since then, and I migrated to Long Island in ninth grade and then came to North Amityville. (more…)
KMD‘s Mr. Hood album was something else when it first hit the streets. Set out like some Sesame St. style concept LP that threw Ansaar teachings, light-hearted skirt chasing and De La Soul-infused coded lyrics into a blender over some of the most diverse sample sources of the day (everything from blues to Bert and Ernie) made for a compelling and rather unique experience. Special mention for the genius that was “Plumbskinz”, a b-side cut that expanded on the “Peachfuzz” concept and remains as one of the dopest dedications to broads ever set to a beat. The skits dealing with local knucklehead Mr. Hood were one of the many highlights, filled with quotable’s that still come off over two decades later, as both Subroc and Onyx The Birthstone Kid dealt with this character in their own ways. Some dude recently felt compelled to recreate the barbershop scene in classic lo-fi YouTube glory… (more…)