I.U. is joined by his brother DJ Kay Cee as he discusses the making of Smooth Assassin, why he changed his style up for Lead Pipe, record label problems and why shit went bad with Treach from Naughty By Nature.
Here’s a new tape from Marciano to prepare for the release of Marci Beaucoup on 12 November through Man Bites Dog records. Beats from Madlib, Evidence, Arch Druids, Lord Finesse and Alchemist. The CD version is available when you cop a shirt.
Trying to interview R.A. The Rugged Man without treading over the well-worn ground of his expulsion from Jive Records and working with Biggie Smalls was challenge I was more than willing to meet. Having experienced the major label glory days, the independent vinyl boom and having managed to not only survive but actually thrive in the YouTube era, R.A. is a perfect example of how to adapt to the ever-changing landscape that is the Rap Game. As usual, Rugged Man was able to combine hilarious stories with serious rap trivia obsessiveness and actual facts, which is a good combination, as Pos K once told us. His new album, Legends Never Die, is out now through Nature Sounds.
Robbie: What made you start rapping?
R.A. Rugged The Man: I met my boy Bub, who was a neighborhood beat boxer – Human Beatbox Bub. He was like fifteen, sixteen and I was like eleven. He was in a shopping center and I seen this kid blowing-up a shopping center window with an M-80. He was like, “C’mere kid, watch this!”. He blew off the window and we were friends ever since. He’d say, “Yo, check out this tape! It’s Whodini ‘Escape’, it’s the best album ever!” Then there’d be firehouse dances and he’d start beatboxing and those bitches would be on his dick, and I’d be like, “Yo, I can rap and you beatbox!” I was terrible, but by the time I was thirteen, I got really good and started battling a lotta kids in the neighborhood. (more…)
To be honest, I’ve found post-Prince Paul De La Soul to be hit and miss. They basically lost 90% of their sense of humor and became Mad Rappers with sometimes questionable beats. That being said, this new song has ESG‘s “UFO” on it, so it’s good money.
Following the blueprint of the first Port Authority LP, Marco Polo is releasing an complimentary mixtape of material that couldn’t be included on his second solo project for whatever reason. Here’s a vaulted Rakim track from 2009 to provide a first look at Newport Authority 2, before Port Authority 2 drops in spring.