I’ve been obsessed with finding out more info about this legendary event ever since I first read about it in The Source. Last year some highlight footage turned up, and now today we have some Yo! MTV Raps outtakes featuring more footage of Melle Mel getting his ass handed to him by the Clean-Up Man.
I’m 99% sure I’ve this Bronson verse on something else, but it’s always good to hear Fat Joe doing his token couple of CRC songs in between sporting his own version of Pitbull‘s Magical White Suit. Beat courtesy of DJ Premier.
Thanks to the ultimate random find over at Gwar Izm, some footage of the 1st Annual Rapper’s Boxing Championships has been uncovered, 6 minutes into the above clip for the ‘Dance Energy Special 1992′. This legendary, one-off event was originally covered in The Source (scan) and has been a topic of amusement for me ever since. So much so that I felt compelled to ask Freddie Foxxx about his involvement: (more…)
Fat Joe has released ten albums? You’ve got to respect that kind of dedication, despite his fondness for shitty club music on three quarters of them. But regardless of the direction that he may taken over the years in order to survive in the music game, Crack has done pretty well for a guy who admits he couldn’t rap for shit when he started out and had to strong-arm himself into the spotlight. He once admitted that he knew he was wack back in the days, but no one had the heart to tell him when he grabbed the mic in case he broke their nose with a right hook. While his debut was carried by top-notch D.I.T.C. beats, by the time he delivered Jealous One’s Envy he had refined his Shout Rap style into something more convincing, and continued to display and great ear for music. Once Big Punisher came into the picture, Joe was forced to step his game up in a major way and ever since has made the most of his somewhat limited vocal talents. I was surprised to find that his latest, The Darkside, has a few burner’s on it. Even more shocking is the fact that Cool & Dre actually out-shined the Premier and Just Blaze contributions.
Anyways, I though this would be a good opportunity to throw a few of Joey’s less renown work out there. Beyond the posse cuts, ‘Twinz ’98’, ‘Flow Joe’ and ‘Lean Back’, here are some of the big fella’s finest moments: (more…)
If you have even the slightest clue about this here rap shit, then you have to acknowledge the fact that Erick and Parrish pretty much had the game in motherfuckin’ headlock with their first four albums. They brought a brand new funk to the scene with Strictly Business, delivered cutting-edge beat science on Unfinished Business and executed a near-flawless B-Boy document with Business As Usual, while Business Never Personal showcased the mighty Hit Squad at the height of their powers while slapping the shit outta listeners with ultra-hard cuts like ‘Boon Dox’. Combat Jack is going to tell you that based on the strength of this discography they automatically qualify as rap’s ‘Dopest Duo’ (word to Craig G), but that’s not the whole equation. My main motivation behind the ‘M.O.P are the greatest’ declaration is the fact that they’ve outlasted everyone and are still bringing that heat. It soon became clear that the most effective way to illustrate the Mash Out Posse‘s superiority is through the classic Take An ‘L’ Comparison Test. Let’s get it in! (more…)
“Huh? This douchebag can’t be serious, can he?” Damn skippy, sonny. Yeah, Run and them are bigger than rap now and let’s be honest, they’re Hip-Hop’s Greatest Trio. Outkast? Meh, they don’t even appear on my radar. Bill and Fame have been delivering that uncut dope without fail ever since they strong-armed themselves into the rap game, regardless of how many times they’ve been cock-blocked by induckstry fuckery. They asked “How About Some Hardcore?” and rap fanatics answered ‘Fuck yeah!’ in no uncertain terms. EPMD might’ve dropped four certified classic albums in a row, but they’ve since tarnished their legacy with the gawd-awful dolo joints and the Days Of Our Lives type ‘make-up to breaks-ups’ shenanigans. When was the last time you rocked the last three Erick and Parrish albums? Exactly. (more…)
It seems that after HipHopDX did a post about the Prodigy Top 40 Letter that a certain comment about Slaughterhouse member Crooked I seems to have gotten back to him and as you might expect, he’s pissed. And wouldn’t you know it – he just happens to do a blog over at…yep – HipHopDX:
I read your letter and you disrespectfully mentioned my name. If you don’t know why Vibe magazine chose to put me in the Best Rapper Alive issue maybe you should have researched me before you wrote what you wrote. Since you have time on your hands, you should check out week 1 thru 52 of my historical Hip Hop Weekly series. Week 33 was a freestyle over your song ‘Get Away’ (one of my favorite Mobb Deep songs). All things considered, there is a price for speaking on a real nigga sideways. Out west we call this price a ‘fade’. I need you to catch my fade, in other words, fight me 1 on 1. Nobody else, just you and me. I’ll wait for your release date since I don’t forget about shit.
P.S. Do some push ups.
The fact that P doesn’t have internets access kinda makes this whole thing pointless unless one of his loyal Stans prints out Crook’s blog and mails it P in the bing, but let’s not get bogged down in the minor details.
On the plus side, this whole thing has given me a reason to listen to something by dude: (more…)