Ever wondered what the most popular beer in rap is? For scientific purposes, I assigned my crack team of weed carriers to compile the drinking habits of 76 78 rapper dudes based on lyrics from actual tracks (and ignoring the dozens of paid St. Ides advertisements) to establish which brand is the undisputed king of beers. While the result is certainly no surprise, you can examine the data below and enjoy the wonders of the Interactive GOAT Rap Beer Pie Chart (c) CRC. Next level, yo. Except if you’re on your celly, in which case you won’t see jack, Jack. The genius of the pie chart means that I can keep adding entries as they’re suggested, which automatically makes this whole thing a million times more useful than Rap Dummy.
It goes without saying that the first three Compton’s Most Wanted albums are an essential part of any Conservative Rap Coalition members collection, but just in case you’ve neglected MC Eiht‘s extensive feature work and b-sides, I’ve assembled a collection of eighteen more pieces of Eiht hype that will please the ears of East-Coast Elitist’s everywhere.
Following the well received Breaking Atoms album, which introduced the world to the talents of Large Professor, Sir Scratch and K-Kut, as well as early cameos from Akinyele and Nasty Nas, Main Source contributed the addictive “Fakin’ The Funk” to the White Men Can’t Jump soundtrack and declared “Main Source forever, yo!” on their feature with the Brand New Heavies.
The second album, The Science, had several completed tracks and demos in the can when it was previewed by The Source magazine, until Large Pro decided that working with a group that was managed by the other two member’s mom made as much sense as Shaquille O’Neil rapping and broke north. The McKenzie brothers would eventually recruit Queens street battle legend Mikey D to take over vocal duties, and even re-recorded “Hellavision” for the doomed Fuck What U Think album, leaving fans to forever speculate on what might have been if Paul Juice had stuck around.
Thanks to a handful of limited-edition 7″ pressings, Japanese re-issues, record label compilations and bootlegs, I’ve been able to assemble eight cuts that represent the sound of Main Source’s lost sophomore project.
To celebrate ten years of cold gettin’ dumb on you crumbs, Unkut Dot Com is proud to present over 50 minutes of new, exclusive Conservative Rap Coalition approved rap, plus a few bonus snippets from some of my favourite interview moments. With contributions from veterans such as Grand Daddy IU, Chubb Rock and Craig G, as well as new favourites like Willie The Kid, Him-Lo and Mr. Muthafuckin’ eXquire. With original beats from producers such as K-Def, Ahmed, Marco Polo and Confidence, this mixtape also brings the first new material from K-Otix and Real Live (K-Def and Larry-O) in years. Counterstrike 2 has been mixed by Crate Cartel‘s Discourse, with the artwork designed by Flick of BURN Crew.
To celebrate ten years of Unkut Dot Com, I reached out to a number of rappers and producers that I fux with to lace me with an exclusive for the sequel to 2010’s Counterstrike tape. With the help of Discourse from Crate Cartel on the mix, the finished 50 minute mixtape is finally ready to drop next week.
In other news, the official Conservative Rap Coalition HQ site is also ready to preview.
While the rap world falls over itself in the never-ending J. Dilla circle jerk, today would have marked James Brown’s 81st year if he was still with us. Considering just how hard he worked during his life, it’s amazing that he lived until 73 – a lesser man may have perished mid-splits. According to his long-suffering friend Bobby Byrd, JB and Tina Turner once shared a stage at the Five Four Ballroom in LA where they spent the entire night attempting to outdo each other by jumping off the piano into the splits and whatnot! Yet the only mention of JB I’ve seen on the rap internets has been egotripland posting couple of JB tribute mixes courtesy of DJ Scratch and J. Period. So let us take a minute to recognize and realize just why James Brown is the alpha and omega of this hip-hop shit…. (more…)
Just realized that the link for this was dead so the ten year anniversary of Unkut seems like a good time to re-up this 2010 release that I put together with strictly exclusive CRC-style tracks. Might be time for a part two come to think of it…
Download or stream almost an hour of non-progressive rap below.
Here are sixteen remixes, bootlegs and demo versions that you need in your life. I would write a blurb for each one but putting this shit together took longer than expected so I’ll let the music speak for itself.
Official CRC polo’s will be available this week as part of the exclusive Mom’s Basement Activity Pack…it’s a new dawn of reactionary rap listening! The Neo Con Rap Country Club is getting closer. Before long, we will be able to enjoy non-progressive rap over Jameson without a non-collared t-shirt or pair of short pants in sight. Peace to Theotis Jones for his fine work for the cause.
This is the story of a bat-shit crazy Tai Chi dude and a guy trying to listen to music on his phone while wearing shorts and smoking a cigarette, one sunny summer day in Prospect Park, set to the first track from Prodigy and Alchemist‘s outstanding “IMDKV” from the Albert Einstein album. I sense an MTV Video award in my future…
What with the current influx of Molly Rap, Acid Rap, Loud Rap, Lean Rap, Yayo Rap, Bath Salts Rap and whatever the fuck else these characters are getting bent off, it seems like we’ve returned to the Slow Rap era that Cypress Hill heralded in the early nineties. Does that mean that we need to get twisted on the appropriate substance to fully enjoy much of this new rap? I’m pretty sure you need ingest heroic quantities of codeine to fully enjoy this new DOOM song with Clams Casino, “Bookends”: (more…)
Much has happened since our last meeting. Those of you who couldn’t afford the original Platinum membership packs have requested other options to show your support, and the landscape has shifted somewhat. Hipster Rap ate itself in a blur of day-glo, but new enemies have emerged in it’s wake. Now is not the time to rest on our laurels and pat ourselves on the back for a job well done, for the war rages on. Here are some of the major issues facing the CRC in 2013: (more…)
Queens battle MC veteran Mikey D hit up Unkut HQ the other day to make the following announcement:
Mikey D: All through the years, since the 80’s, with [LL] Cool J, each interview that I have the topic of the conversation is always about me and him. Although we went through what we went through, me looking back as a grown man, technically he didn’t do anything to me that was wrong. He did everything that he was supposed to do! But I got caught-up in people’s misery. You know how they say “misery needs company”, so by me still drinking 40 oz’s and still trying to hold on to being the “baddest MC in the neighborhood” title – and you’ve got these miserable people in your ears all the time, hating on him for what he’s doing? Of course I fell into that. I’m going to keep it real and say to him that I apologize for any form of disrespect. I can’t fault a man for my failures. After I left the beer and all of the negative people alone, that’s when I started seeing clearly. Melle Mel also, what happened happened at the New Music Seminar, that was 25 years ago. Let’s get over it. I want to apologize to both of them as a man, because we are all under the same umbrella. Let’s get it poppin’!
Mikey’s new crew Elements of Hip-Hop consists of Mikey D on the mic, DJ Mercury (who worked with Professor X) and Philly DJ legend Grand Wizard Rasheen. Calm Before The Storm drops April 2, with Day of Destruction following later in the year.
Many cynical rap fans complain that today’s new rapper dudes are bufoonish clowns and a disgrace to hip-hop, but perhaps we should be more appreciative of these attempts to inject a little humor into the post-Fat Boys rap landscape. Here are eight rapper’s who are no joke: (more…)
This is a vinyl mix of great ignorant rap songs which I put together with DJ J-Red in 2002. Sure to upset anybody within earshot. Includes classics such as Willie D‘s ‘Baldhead Hoes’, Convict‘s ‘Wash Ya Ass’ and Bustdown‘s ‘Pissing Razor Blades’.
As Rakim tells it in the above video with RA The Rugged Man (who looks ‘like a teenage girl on her first date’ according to the YouTube comments ), he agreed to remove his four lines aimed at Big Daddy Kane from the first version of ‘Let The Rhythm Hit ‘Em’ after Ant Live played like Sir IBU on some ‘I’m The Peacemaker’ shit.
Rakim, from what I understand – I didn’t hear it – but I know he had made a record called ‘Cut The Kane In Half’, and it was gonna be a diss record for Big Daddy Kane but he didn’t put it out. But if you listen to his rhymes, he says little slick stuff on the Follow The Leader album that was directed at Kane. Because there was a lot of stuff goin’ on about how was better and who was the best. Rakim was pretty quiet, he never talked about. Kane was a little more verbal about it. They never really made it publicly known, but he definitely was gonna do something.
Towards the end of 1987 I had amassed a decent collection of rap albums dubbed TDK’s, which was all well and good but hardly official since I didn’t actually own any records. My birthday was coming up and ‘my old Earth’ somehow managed to figure out that what I really needed was a 12″ single of the new Public Enemy. She handed me a gift-wrapped copy of ‘You’re Gonna Get Yours’, and I spent the rest of the day trying to find how many guns I could spot on the front cover and listening to the ‘Terminator X Gettaway Version’ over and over. I already had the album on tape, and it took me a while to realise that the song on the B-side was some Newest Latest material.
Eventually I threw it on the family record player, and once that series of opening horn hits unleashed the ear-splitting drone of ‘Rebel Without A Pause’ I stood there in awe… My mother was less enthusiastic: ‘It’s a bit repetitive, isn’t it?’. I ignored her, transfixed by the voice of power and the drums of death. This was like nothing I’d ever heard before. The next week I took the record over to play to the dudes who had first started dubbing me tapes on the other side of town. The record had the same effect on them, and some of the older kids asked if they could borrow it to tape that week. Not even a teenager at the time, having high school kids want to borrow my record seemed like an esteemed badge of honor, and I was more than happy to oblige.
Amazingly, they actually returned the record to me a few weeks later…