Cappadonna released a new double album last month titled Eyrth, Wynd and Fyre, which focused on more message-orientated tracks. I caught up with him for a quick discussion that provided as many jewels as it did dead-ends. He also explained he makes his music “the best way I know how, by milking this cow”, which makes me wish that more MC’s would answer questions in rhyme form.
Robbie: Ghost and Rae told me you were the Slick Rick of Staten Island. Do you agree?
Cappadonna: It just came from where we was at and where we were brought-up, just coming from Brooklyn and Staten Island. A lot of my friends were from different places, like from Queens and The Bronx, so it was a collaboration of all of those styles that was put together. We had brothers before us that was into fly things and rapping and fashion, so I mainly looked-up to cats from around my way. Mainly my brother Sham God, Ice, Ugar, Jerry G and all of ‘em. Irwin, The Villas. Phase 3, the Freedom Machine, Party Doctors, The Force MD’s. All of that was right at our fingertips, all the time. At an early age I was already mimicking some of the great styles and great flavors that caused my peers to be attracted to it. We bounced flavors around on each other, but I’m glad that my brothers feel like I put some flavor in they ear. (more…)
I can’t be bothered reviewing albums anymore since everyone that’s interested has already streamed/stolen/ordered it anyway, but I will say that the Czarface album is surprisingly enjoyable. It’s fair to say that DJ 7L is in fine form here, handling the majority of the beats and cuts, while Inspectah Deck and Esoteric display a good chemistry as they share lead microphone duties. “World War 4″ features Deck over “Assembly Line”, which is genius in itself, while the production on “Dead Zone” and “Czar Rafeli” are serious stand-outs, earning this LP my coverted “New Rap That Doesn’t Suck” stamp of approval. Available now through Brick Records.
This is the first track from 12 Reasons To Die, a new concept album from Ghostface and producer Adrian Younge. The plot revolves around Tony Starks falling for the daughter the Deluca crime family, who have him killed and “pressed Tony’s remains into 12 vinyl records, one for each member of the family”, which allows him to take his revenge from beyond the grave.
“A brutal tale of gangsters, betrayal and one vengeful soul hunting the 12 most powerful crime lords in the World”.
Managed to fight back the Wu-Fatigue from the other week and give this new Raekwon a spin. Despite sounding a little distorted due to being mastered FAR TOO LOUD, this is pretty good. The Scram Jones tracks were the stand-outs for me, especially the “Trans-Europe Express” flip on “Came Up.” Hopefully a remastered version appears soon, but in the meantime here’s the EP with the title that English teachers hate.
Congratulations to ceasar for winning the Masta KillaSelling My Soul Deluxe Edition (courtesy of Nature Sounds)for this Wu-Tang memory:
In 2005 I was locked up in LA County Jail for a year. I started the journey in 120 man dorms, but an ear infection sent me to the 6 man cell dungeon part of the jail back at Twin Towers, which was closer to the county doctors. My stay was only supposed to be for a few days, then I’d get transported back to the dorm, but there was a paperwork error, and I wound up getting stuck down there for 6 months. It’s grimy as shit, cold, damp, and dark at all times. (more…)
Masta Killa from the Wu-Tang is dropping his third solo album, Selling My Soul, this December, in standard and deluxe editions:
Limited to only 200 copies, the deluxe edition comes in a custom hand-numbered box with a lyric book, autographed poster, MK wool cap, and download card giving access to all three MK albums plus his live album. In addition, Masta Killa has teamed up with RAW Rolling Papers to include a handful of RAW papers and an exclusive “Ooh Baby I Like It RAW” T-shirt in each deluxe box, paying tribute to the late Ol’ Dirty Bastard, who is featured on Selling My Soul.
Nature Sounds have got a copy of the deluxe edition to give away to the Unkut reader who can name Masta Killa’s finest moment on the mic tell us the story behind their best Wu-Tang related incident. Post it in the comments section before midnight, Friday 26 October to be in the running. Everyone else can pre-order the pack from here.
Following the Purple Tape package, GZA chess set and Fat Boys pizza box, GetOnDown.com have just announced this limited-edition set for pre-order:
– The Man With The Iron Fists – Full Soundtrack (2 x LP on Red Vinyl housed in 2 independent Hand Silkscreened Jackets that combine to form 1 giant illustration)
– Bonus 7″ (song not included on the Soundtrack) of “Bust Shots” b/w the instrumental, by Ghostface Killah, Sheek Louch & Inspectah Deck
– Limited Movie Poster
Who’d a thunk that Unkut Dot Com would post a Kanye song, huh? The fact that it’s basically a 2012 version of ‘Mighty Healthy’ with a show-stealing verse from Starski Love makes it worth the effort though.
Around the time of Stark’s R&B album and Chef’s Cuban sequel, I interviewed the two of them for Hip-Hop Connection Digital. Here are some of the parts that I didn’t feature in the original piece that mainly cover some of the old days of Staten Island rap.
Robbie: What were the early days like on Staten Island?
Ghostface: It was all good, with my peoples, just doin’ what thugs do. We was out there, whylin’, doin’ whatever we had to do to get that money. We did the Wu-Tang thing later on in ’93. Came out with that – a few guys are from Staten, few guys are from Brooklyn – came together and we rocked the world, man! We dropped a bunch of classics…and I’m here where we are right now.
Staten and Long Island seem to have a lot more creativity since you guys had to work harder to get that shine. Would you agree?
Raekwon: Absolutely. That’s true, because a lot of people, they only knew of Brooklyn, Bronx, Queens and Manhattan. Them was like the majority of people’s whereabouts, but then when you go to Staten Island it’s like weird combination of all them boroughs. When you go to Yonkers it’s a weird combination of all them boroughs. The more that people don’t know about your town is the more that you feel that you have to represent your town! We really just appreciated the fact that people didn’t know us, because we knew when they did find out who were, they was gonna be even more open to what we had to offer. So in a way it was it was a gift and a curse to really be from a forgotten borough though. (more…)