Download: Milano – The Believers Album 
Milano is finally releasing his vaulted 2002 album The Believers on CD and iTunes, featuring an impressive production team consisting of DJ Premier, Showbiz, Lord Finesse, Buckwild, Emile, Ahmed, T-Ray and Molecules from The Legion. For those who can’t wait for the official tissue, Milano has blessed me with a copy to share with the loyal Unkut Dot Com readers. Tell ‘em!
*Update: The album is getting an official release so Milano requested that I remove the link. Please cop the official version when it drops.*
DJ JS-1 feat. AG, Sadat X & Neek the Exotic – Sample Abusers
Here’s the premiere of the new DJ JS-1 track which makes clever use of a Larry David quote to form the hook. Why has it taken this long to incorporate the genius of Curb into rap songs? Talk about a sure-fire way to gain instant Conservative Rap Coalition approval! Taken from JS-1’s latest LP, It Is What It Isn’t, which is now available from UGHH.
Positive K – Supreme Alphabet 
Here’s a late entry into Pos K‘s discography where he calls in a solid from Jesse West to freak a trusted Bob James break and get belligerent on all the herbs, suckers and chumps out there on the alphabetical slaughter tip.
The Influence of X-Clan on West Coast Rap
While EPMD and Heavy D had already scored hits by looping ‘More Bounce To The Ounce,’ the sound of the first X-Clan album really brought the most out of the whole Parliament Funkadelic movement in terms of flipping it into a entirely new context. Their combination of jazz and soul samples with the heavy funk sound created a sound that was far ‘heavier’ than anything we’d heard from New York, soaked in a cosmic slop that no doubt made an impression on the ears of LA rap producers. Clearly the popularity of Zapp and P-Funk on the West Coast meant that it was always going to play a major role in the pre-synth era (or Before Chronic as I like to call it), but when I had the chance to speak to Brother J back in 2007 leading up to the release of the his new X-Clan project, he confirmed this theory for me:
Robbie: X-Clan was one of the first groups to get deep into the P-Funk samples. Do you think that West Coast artists were influenced by that?
Brother J: I don’t think they took it and ran with it, it’s always been here. I think what X-Clan did was we took music that we love. I never sample ‘More Bounce…’ because I wanted West Coast artists to pick-up on my music, I sampled it because in my basement that’s what we deejayed. You go to the parties, that’s what we put on. I’m from Flatbush, Brooklyn, I wasn’t traveling worldwide when I was making this album. I was 17, 18 years old writing To The East, Blackwards. I wasn’t world orientated, I just knew when we go to the block parties, when they put on that Zapp ‘More Bounce…’ the crowd was crazy! When adults hear ‘Knee Deep’? My father and mother listened to records. I dig in their crates and make my album! I knew what was moving the crowd I wanted to serve. It’s beautiful to see that a lotta producers out here in the west coast say, ‘Man, you inspired me. We used to play your album up on the big speakers when we was making Ice Cube’s album and making this dude’s album and this cat’s album.’ I’ve met a lot of legendary west coast cats that gave me a salute, and I’m saluting them cos they’ve got crystal clean sound. I’m from New York where sampling was king, and these cats are playing stuff over and got the mean band on it and the good engineer on it and their sound was just so much more cracking than what we were getting in New York. I admire Dre’s production, he had the best EQ’s.
Tragedy Khadafi – Free Thinkers 2
New Trag track, taken from off Pre-Magnum Opus dropping Nov 24th. Produced by Audible Doctor.
Angie Stone aka Angie B [The Sequence] – The Unkut Interview
It’s taken me ten years to interview a female rapper on these pages, which either means this marks the onset of ‘progressive’ thinking in my old age or I’m a natural born rap misogynist. Either way, during the limited window of time I had to talk with Angie we kicked it about her days in The Sequence and she shared an eye-opening story about her involvement with The Roxy.
Angie Stone – The Unkut Interview
Video of The Sequence performing ‘Simon Says’ on the Job Man Caravan show:
Puffy Dee = The OG Iggy Azalea?
When the Tuff City head honcho mentioned that this was the most slept-on release from the label I had to track down a copy. Having previously explained to Fat Lace that “she was white girl living uptown. I thought her rhymes were brilliant but she predated video unfortunately,” Mr. Fuch’s expanded on the topic when I interviewed him in 2013.
Aaron Fuchs: The most overlooked record in my catalogue is this record called ‘Joe Blow’ by Puffy Dee. She was really difficult to work with and she had a real mousy voice – until somebody tells me that that record isn’t good I’ll think it’s brilliant. It was a real beats and rhymes record – Pumpkin on drum machine. It came out around the same time as the Disco Four ‘School Days’ when he went through a very spare period.
I haven’t seen a photo of Puffy Dunster, but based on the comment about her not benefiting from having a video, it’s safe to assume she was a bit of a looker. ‘Joe Blow’ is certainly an amusing curio over a quality Pumpkin track, while the a-side ‘Young, Single and Free’ is a literally unlistenable attempt at the rap game Minnie Mouse to croon.
Pre-Order: Omniscence – The Raw Factor Album 
Gentlemen’s Relief are rescuing the first Omniscence album from the vaults…
Originally scheduled for release way back in March 1996, The Raw Factor by North Carolina native Omniscence is one of the last of the unreleased mid-90’s albums to see the light of day. Despite being awarded The Source’s coveted ‘Hip Hop Quotable’ and dropping two well-received singles (’Amazin’ and ‘Touch Y’all’), record label politics meant the full-length Raw Factor album was never released and fans were left wondering what might have been.
More than eighteen years later, The Raw Factor is finally being released on CD, cassette and digital formats. Featuring punchline-driven lyrics from Omniscence delivered in his unmistakable cadence, and backed by head-nodding production from Fanatic, the album is a must-own for fans of 90’s hip hop. The 18-track long-player comes with liner notes about the recording of the album, and also includes all 4 songs from Omniscence’s 1993 random rap grail The Funky One Liner EP, available digitally for the first time.
Pre-Order the CD and Tape from UGHH
RSVP: ’88 Breakbeats CMJ Show
RSVP here if you want to find out the location of this CMJ show.
Video: Royal Flush – Autobiography
Flush and Grand Papa Tra provide a clip for this stand-out from the Grand Capo LP.
You Must Learn, Episode 2: Smif N Wessun – Dah Shinin’
Tek and Steele kick it with the You Must Learn crew and talk about the creation of their debut.
The Triumphs and Tragedies of Larry Smith
Please head over to Medium where you can read my first piece for Cue Point, a collection of long-form music features curated by Jonathon Shecter aka Shecky Green.
The Triumphs and Tragedies of Larry Smith
‘Best of Larry Smith’ playlist:
Win: SOL Republic Wireless Bluetooth Speakers
I was recently gifted some SOL Republic stuff the other week, and they’ve also agreed to give away one of each of their new models of Wireless Bluetooth speakers to a couple of Unkut readers. First prize is the Deck Ultra, and the runner-up will receive the pocket-sized Punk model.
Clever 1 – Canteinz Of Whiskey
Clever 1 [Da Buze Brovaz] is dropping an album titled The Dirty Dozen through Unkut/CRC this Halloween, produced by DJ RockSteady. Here’s a taste of what you can expect.
Great Moments In Rap: LL Cool J Sons Run At The Roxy
A great moment in rap – the time that LL Cool J went at Run at The Roxy:
Dr. Butcher: That was not Jam-Master Jay, that was [Jay] Philpot [the second Cut Creator] his DJ on the turntables when he was rhyming. Run-DMC was performing after him, so when he’s freestyling he’s talking about Run in that rhyme. They were walking in and that’s why he wouldn’t let go the mic – he had something to say to Run because they weren’t getting along. Then they took the mic from him and pushed him off stage so Run-DMC could perform.
Buddy Leezle feat. Da Buze Bruvaz – Saddle Soap
I’m not familiar with Buddy Leezle but Da Buze Bruvaz are possibly repping the CRC harder than anyone out there right now. Produced by The Custodian of Records.
Non-Rapper Dudes Series: Brian Coleman Interview
At one point liner notes were nearing extinction on rap albums, but thanks to the fine work of people like Brian Coleman and the crew at Get On Down, they’re currently experiencing a renaissance of sorts, giving aging, bitter rap fanatics such as myself the perfect excuse to bang on about the first Ultramagnetic album in day-to-day conversation. Most of you would have read Rakim Told Me/Check The Technique by now, so you know that copping the Mr. Coleman’s third tome is mandatory at this point. He took some time out last weekend to trade war stories from the trenches of the hip-hop interview battlefield and discuss the trials and tribulations that go along with such in-depth work.
Robbie: Was the ‘Classic Material’ column in XXL your first published work?
Brian Coleman: I started that column in 1999, that was Elliott Wilson’s idea. I had been writing for XXL before that. I started, I think, in the second issue. I wrote for them until 2004. That Ultramagnetic chapter in Rakim Told Me started as a piece I did for XXL and then I expanded it greatly over the years. In ‘98 Ultramagnetic was supposedly reforming so everyone was like, ‘Oh, we should talk to them about that!’ I had been writing a little bit before that, I’d been writing for URB, The Boston Phoenix, I wrote for this magazine called CMJ, it’s basically the trade publication for college radio. I was a hip-hop columnist there, it was cool because you could write about a lot of indy stuff.
Cole James Cash Discusses Making The BBW Album
Cole James Cash proves that being a homeless, recovering drug addict who wears a mask is no obstacle to making rap albums and hanging with XXXL XXX gals.
Robbie: Tell me about the BBW album?
Cole James Cash: I was trying to make the shit sound romantic, as ridiculous as it sounds. I was trying to bring a theme of romance, which is why you hear a lot of soft and very melodic type samples.
Were there many BBW porn stars that you wanted involved on the album that refused?
Not so much refused as ignored. [laughs] When we did the song named after Karla Lane, that’s when Kacey Parker was like, ‘I would like a song!’ That’s when she threw her support completely behind it. Everything from being on the cover to doing the intro. She went out of her way yo help me and she didn’t have to. I asked Sophia Rose and she straight ignored every email I sent.